Shaker design
著者
書誌事項
Shaker design
Whitney Museum of American Art in association with Norton, c1986
- pbk.
- :Norton : hard
- :Norton : pbk.
大学図書館所蔵 全21件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Catalog of an exhibition held at the Whitney Museum of American Art, New York, May 29-Aug. 31, 1986 and at the Corcoran Gallery of Art, Washington, D.C., Oct. 4, 1986-Jan. 4, 1987
Bibliography: p. 224
Includes index
内容説明・目次
内容説明
The Shaker movement in America began in 1774 when Mother Ann Lee emigrated from Manchester, England, with a small group of followers, and settled in New York State. Despite impoverished beginnings, the Shakers flourished in the early nineteenth century, and by 1840 there were four to six thousand members living in eighteen principle communities from Maine to Kentucky. Turning away from society, they lived in large families that were both celibate and communal. In striving for heaven on earth, they created a visual environment of such harmony and quiet power that it continues to impress observers today, when the Shakers have all but passed from the American scene.
The many works presented in this beautiful volume reveal the Shaker commitment to excellence in all matters. The chairs, cases of drawers, work stands, baskets, oval boxes, wheelbarrows, stoves, looms, and even tailoring tools have a purity of form that transcends mere utility and elevates our appreciation beyond a sense of function.
This volume draws objects from forty collections, including extant Shaker villages, the work of some thirty known individuals, and as many artists who remain anonymous.
「Nielsen BookData」 より