Critical essays on The general prologue to the Canterbury tales, Geoffrey Chaucer
Author(s)
Bibliographic Information
Critical essays on The general prologue to the Canterbury tales, Geoffrey Chaucer
（Longman literature guides）
Longman, 1989
Available at 1 libraries
Note
Bibliography: p. 139
Description and Table of Contents
Description
This series aims to introduce students to a wide variety of critical opinion and to show students, by example, how to construct a good critical essay. This collection of specially-commissioned short critical essays is designed for A level students. The essays contain diverse, often conflicting opinions, presented in a clearly written and carefully structured manner which reflects the student's need to construct well thought-out arguments in the limited time examinations allow. They are also designed to act as a stimulus for independent thought and for the development of personal viewpoints. Each essay concentrates on a single area of thought or study of direct relevance to the type of essay students will be required to write, and uses textual evidence and quotations in support of the conclusions. A variety of approaches are used in the essays, to illustrate the various ways in which literary evidence can be organized to argue a viewpoint. Bryan Loughrey has been involved in A level paper-setting and policy-making. Linda Cookson has edited several "Longman Study Texts" titles published by Longman for the UK Secondary Schools English List.
Table of Contents
- Part 1 Essays: "a compaignye of sondry folk" - the structure of Chaucer's "General Prologue", Paul Norgate
- the poet as pilgrim - the narrator of the "General Prologue", Alan Gardiner
- character and caricature in Chaucer's "General Prologue", John E.Cunningham
- Chaucer's critique of the Church in the "General Prologue", Pat Pinsent
- the shipman's knife, Mark Spencer Ellis
- Chaucer's two "corages" - moral balance in the "General Prologue", Angus Alton
- Chaucer's art of portraiture - subject, author and reader, Claire Saunders
- ambiguous icons - Chaucer's Knight, Parsons and Plowman, Paul Oliver
- boring virtue and interesting vice - the literary conflict between morality and vitality, Cedric Watts
- the "General Prologue" as prologue, Charles Moseley. Part 2 A practical guide to essay writing: how to plan an essay
- style sheet.
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