Mozart's symphonies : context, performance practice, reception
Author(s)
Bibliographic Information
Mozart's symphonies : context, performance practice, reception
Clarendon Press , Oxford University Press, 1989
- : pbk.
Available at 20 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Bibliography: p. 569ー600
Includes index
Description and Table of Contents
Description
Numerous musical excerpts complement this comprehensive identification and evaluation of nearly 100 symphonies. The book attempts to place each symphony in a musical and cultural context, to reveal how the symphonies were performed and to discover what role they played in Mozart's creative life. The book's goals include the reinterpretation of a number of documents that have been available to specialists, but only partially understood, and to gather and evaluate a great deal of information about the symphonies and their context that has, until now, been widely scattered in technical publications. Some documents new to the study of Mozart's symphonies are also presented. The musical incipits have been included to convey the works' identities and are more important for the obscure works than for the well-known ones.
Table of Contents
- Salzburg - origins (1756-1764)
- the Grand Tour - London (1764-1765)
- the Grand Tour - Holland, France, Switzerland, Bavaria (1765-1766)
- the "Sinfonia da Chiesa" and Salzburg (1766-1767)
- Vienna - orchestra land (1767-1768)
- Lambach and Salzburg (1769)
- Italy - fons et origo (1769-1773)
- Salzburg - limbo (1770-1777)
- Mannheim and Paris - frustration (1777-1778)
- Salzburg - serfdom (1779-1780)
- Vienna - independence (1780-1791)
- performance practice
- meanings for Mozart's symphonies. Appendices: the status of 97 symphonies
- concordance
- Leopold Mozart's "Report"
- Czerny's tempos for twelve early symphonies
- the missing bassoon part for the "'Paris' Symphony".
by "Nielsen BookData"