Explorations in music, the arts, and ideas : essays in honor of Leonard B. Meyer
著者
書誌事項
Explorations in music, the arts, and ideas : essays in honor of Leonard B. Meyer
(Festschrift series, no. 7)
Pendragon Press, c1988
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注記
"Writings by Leonard B. Meyer": p. 453-456
Includes index
収録内容
- Beethoven as secular humanist : ideology and the Ninth symphony in nineteenth-century criticism / Ruth A. Solie
- Writing about influences : Idomeneo, a case study / John Platoff
- Scylla and Charybdis, or steering between form and social context in the seventeenth century / Margaret Murata
- Toward a deconstruction of structural listening : a critique of Schoenberg, Adorno, and Stravinsky / Rose Rosengard Subotnik
- Masters and servants : theory in the literary academy / Barbara Herrnstein Smith
- Music perception, music theory, and psychology / Burton S. Rosner
- What trecento music theory tells us / Jan Herlinger
- Concrete musical knowledge and a computer program for species counterpoint / Robert O. Gjerdingen
- Melody and the Markoff-Chain model : a Gregorian hymn repertory / Frank Tirro
- Pitch class and perceived height : some paradoxes and their implications / Diana Deutsch
- Affective design in Schubert's Moment musical op. 94 no. 6 / John Chesnut
- On the relationship of analytical theory to performance and interpretation / Eugene Narmour
- Aspects of musical space / Patricia Carpenter
- Tonality in a new key / James C. Kidd
- When a coda is more than a coda : reflections on Beethoven / Robert G. Hopkins
- Compatibility, coherence, and closure in Brahms's Liebeslieder waltzes / David Brodbeck
- About Leonard B. Meyer : a biographical vignette / Janet M. Levy
内容説明・目次
内容説明
In the humanities great scholars tend to be either epistemologists or metaphysicians, realists or idealists, codifiers or innovators. Leonard B. Meyer stands as an anomaly in this company, for within the realm of musicology his work is at once pragmatic and imaginative. An astonishing blend of intellectual depth and breadth, his five books and numerous essays have covered all the major fields of the discipline-not only theory, analysis, criticism, and aesthetics, but also twentieth-century culture, psychology, the nature of science versus the study of the humanities, and most recently, a refined historical theory explaining style change in the music of the nineteenth century. All of the essays in this celebratory volume reveal their affinity with and influence of Leonard Meyer's work; their widely variegated army bears witness to the catholicity of his thought and the ubiquity of its impact --From the Introduction by the editors
目次
Introduction
Part I
Beethoven as Secular Humanist: Ideology and the Ninth Symphony in Nineteenth-Century Criticism, Ruth A. Solie
Writing about Influences: Idomeneo, A Case Study, John Platoff
Scylla and Charybdis, or Steering between Form and Social Context in the Seventeenth Century, Margaret Murata
Towards a Deconstruction of Structural Listening: A Critique of Schoenberg, Adorno, and Stravinsky, Rose Rosengard Subotnik
Part II
Masters and Servants: Theory in the Literary Academy, Barbara Herrnstein Smith
Music Perception, Music Theory, and Psychology, Burton S. Rosner
What Trecento Music Theory Tells Us, Jan Herlinger
Part III
Concrete Musical Knowledge and a Computer Program for Species Counterpoint, Robert O. Gjerdingen
Melody and the Markoff-Chain Model: A Gregorian Hymn Repertory, Frank Tirro
Pitch Class and Perceived Height: Some Paradoxes and their Implications, Diana Deutsch
Affective Design in Schubert's Moment Musical Op. 94 No. 6, John Chesnut
On the Relationship of Analytical Theory to Performance and Interpretation, Eugene Narmour
Part IV
Aspects of Musical Space, Patricia Carpenter
Tonality in a New Key, James C. Kidd
When a Coda is More than a Coda: Reflections on Beethoven, Robert G. Hopkins
Compatibility, Coherence, and Closure in Brahms's Liebeslieder Waltzes, David Brodbeck
About Leonard B. Meyer: A Biographical Vignette, Janet M. Levy
Writings by Leonard B. Meyer
Index
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