Film and literature : a comparative approach to adaptation
著者
書誌事項
Film and literature : a comparative approach to adaptation
(Studies in comparative literature, no. 19)
Texas Tech University Press, 1988
- : alk. paper
- : pbk. : alk. paper
大学図書館所蔵 全4件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references
内容説明・目次
- 巻冊次
-
: alk. paper ISBN 9780896721593
内容説明
Classic films can and do derive from classic literature, but the predication and process by which they arrive stirs debate among veteran filmmakers and scholars alike. How these films endure despite their tailoring for specific stars, audiences, and contemporary social or political messages seems as much a function of showmanship as it does the screenwriter's artful translation for the medium of film. From their varying vantage points, the contributors to this volume explore classic American and foreign films, the novels and dramas from which they derive, auteur cinema, and the complexities of adaptation.
- 巻冊次
-
: pbk. : alk. paper ISBN 9780896721692
内容説明
Classic films can and do derive from classic literature, but the predication and process by which they arrive stirs debate among veteran filmmakers and scholars alike. How these films endure despite their tailoring for specific stars, audiences, and contemporary social or political messages seems as much a function of showmanship as it does the screenwriter's artful translation for the medium of film. From their varying vantage points, the contributors to this volume explore classic American and foreign films, the novels and dramas from which they derive, auteur cinema, and the complexities of adaptation.
目次
Writing for Film by Horton Foote A Mythical Kingdom: The Hollywood Film Industry in the 1930s and 1940s by Samuel Marx ""The Whole World... Willie Stark"": Novel and Film of All the King's Men by Robert Murray Davis One Flew over the Cuckoo's Nest: A Tale of Two Decades by Thomas J. Slater Bus Stop as Self-Reflexive Parody: George Axelrod on its Adaptation by Joanna E. Rapf The Author Behind the Author: George Cukor and the Adaptation of the Philadelphia Story by Gary L. Green ""Nur Schauspieler"": Spectacular Politics, Mephisto, and Good by Harriet Margolis Bertolucci's Adaptation of the Conformist: A Study of the Function of the Flashbacks in the Narrative Strategy of the Film by Peggy Kidney Collaboration, Alienation, and the Crisis of Identity in the Film and Fiction of Patrick Modiano by Richard J. Golson Writing with the Ink of Light: Jean Cocteau's Beauty and the Beast by Lynn Hoggard The Plight of Film Adaptation in France: Toward Dialogic Process in the Auteur Film by Ghislaine Geloin Greene's Fictional Treatment: An Experiment in Storytelling by Edward A Kearns Individual and Societal Encounters with Darkness and the Shadow in the Third Man by Paul W. Rea Dona Flor and Her Two Husbands: A Tale of Sensuality, Sustenance, and Spirits by Enrique Gronlund and Moylan C. Mills Mythical Patterns in Jorge Amado's Gabriella--Clove and Cinnamon and Bruno Barreto's Film Gabriela by John Martin and Donna L. Van Bodegraven
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