The landscape of civilisation : created for the Moody Historical Gardens
著者
書誌事項
The landscape of civilisation : created for the Moody Historical Gardens
Garden Art Press, 1989
大学図書館所蔵 全13件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliography and index
内容説明・目次
内容説明
The following is inscribed on page 308 of the author's copy of Bertrand Russell's A History of Western Philosophy:
'During this chapter decided to write a history of landscape architecture, at 10.05am Sunday 23rd May 1958', and 'completed at Taormina, Feb. 1975'
Ten years later the idea of translating his great work The Landscape of Man into visible form was formulated at Seattle on the evening of 19 May 1985. The sketch plan, with little future deviation, was completed in time for breakfast the following morning.
The Historical Gardens that this book describes are only part of a multi-million twenty year programme initiated by the Moody Foundation for the enrichment of Galveston, Texas - a city destroyed by inundation in 1900 and now materially recovered. The site of the gardens themselves is twenty-five acres of flat land adjoining sea marshes. This will be divided by artificial mountains into West and East. There will be fifteen cultures and the guide will take the visitor through them by water in a spectacular mile-long odyssey. First comes the western classical sequence, heralded by a succession of water trumpets: Eden, Egypt, Rome, Islam, the middle ages, 16th century Italy, 17th century France, 19th century England. Then follows a twisting tour through 18th century romantic Europe, through the awesome mountain within which lie the painted caves of universal pre-historic man. Thence through the three spheres of China: Taoism, Tao-Buddha, and pure Buddhism; and so home through Japan and primeval forest. The journey by water-bus should awaken visitors' interest to return on foot to study more closely what is in fact a cultural history of the world as seen in miniature through landscape.
While it is essential that the interpretation of the spirit of history should be academically correct, this principal and, we hope, enchanting composition of cultures (elsewhere usually in opposition one to another in time, space and philosophy) is intended to be a single deeply suggestive work of surrealist art of our own time.
Of the 200 black and white and 32 colour illustrations, over 100 are fine detailed drawings and sketches by the author.
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