Jean Rhys and the novel as women's text
Author(s)
Bibliographic Information
Jean Rhys and the novel as women's text
University of North Carolina Press, c1988
Available at 16 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Bibliography: p. [271]-279
Includes index
Description and Table of Contents
Description
Is a woman's writing different from a man's? Many scholars -- and readers -- think so, even thought here has been little examination of the way women's novels enact the theories that women theorists have posited. In Jean Rhys and the Novel as Women's Text, Nancy Harrison makes an important contribution to the exchange of ideas on the writing practice of women and to the scholarship on Jean Rhys.
Harrison determines what the form of a well-made women's novel discloses about the conditions of women's communication and the literary production that emerges from them. Devoting the first part of her book to theory and general commentary on Rhys's approach to writing, she then offers perceptive readings of Voyage in the Dark, an early Rhys novel, and Wide Sargasso Sea, Rhys's masterpiece written twenty-seven years later. She shows how Rhys uses the terms of a man's discourse, then introduces a woman's (or several women's) discourse as a compelling counterpoint that, in time, becomes prominent and gives each novel its thematic impact. In presenting a continuing dialogue with the dominant language and at the same time making explicit the place of a woman's own language, Rhys gives us a paradigm for a new and basically moral text.
Originally published in 1988.
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