Irony and ideology in Rabelais : structures of subversion
著者
書誌事項
Irony and ideology in Rabelais : structures of subversion
（Cambridge studies in French）
Cambridge University Press, 1990
大学図書館所蔵 件 / 全6件
-
該当する所蔵館はありません
- すべての絞り込み条件を解除する
注記
Bibliography: p. 233-243
Includes index
内容説明・目次
内容説明
Over the past two decades since the appearance in the West of Mikhail Bakhtin's study of Rabelais and popular culture, Rabelais's work has been a focus of debate in contemporary literary and cultural criticism. The subjects under discussion include questions of fixed authorial meaning and intention versus open and changing readings, and the competing claims of literary history as traditionally practised versus dialectical criticism, according to which criticism itself is not outside ideology and history. Jerome Schwartz's book attempts to straddle both tendencies. Schwartz reads the four authentic books of Rabelais's Gargantua and Pantagruel as polyvalent texts in which ironic, parodic and satiric discourses continually intersect to prevent the univocal closure of ideological meaning. His book is about the way in which the Rabelaisian text functions as an interdiscursive play of elements that both encode meanings and subvert the reader's attempts at coherent interpretation. In close textual analyses of major episodes, examination in context of semantic, syntactic and narrative elements, including quotations and references that undermine the apparent ideological objective at the surface of the text, Schwartz reveals 'loopholes' in the text, spaces of social and political conflict and deviance that are woven into its humanist, evangelical structures.
目次
- Introduction
- 1. Pantagruel
- 2. Gargantua
- 3. The Tiers Livre
- 4. The Quart Livre
- Conclusion
- Notes
- Bibliography
- Index.
「Nielsen BookData」 より