Heroic deeds and mystic figures : a new reading of Rubens' Life of Maria de' Medici
著者
書誌事項
Heroic deeds and mystic figures : a new reading of Rubens' Life of Maria de' Medici
Princeton University Press, c1989
- : alk. paper
大学図書館所蔵 全13件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Bibliography: p. 244-248
Includes index
内容説明・目次
内容説明
No previous study of Rubens' pictorial biography of Maria de' Medici, Dowager Queen of France, has analyzed in such detail each of the twenty-four paintings with regard to iconography, the painter's source material, and his pictorial treatment. Not only is each episode seen here within its historical context, using documents from both Italian and French sources of the time, many never before adduced in connection with the paintings, but for the first time an iconographical element is studied which heretofore has been glimpsed only in passing: the symbolical and allegorical emblems connected with coins, medals, broadsheets, public ceremonies, and political propaganda. Rubens, this book argues, incorporated those cryptic images into his compositions with full awareness of their political and personal implications and did so, it seems, at the insistence of the patroness and her advisers. These and other "mystic figures" offer a hitherto unsuspected key to the cycle's "secret" meanings. The theme now appears to be not reconciliation, as usually stated, but a vindication of the former Florentine princess's policies as queen, regent, and dowager. With this goes an accusation of filial ingratitude and political ineptness directed against King Louis XIII, and there is an implicit--painted--threat to reopen armed hostilities should the uneasy truce between mother and son ever be broken. Reason enough then, to dissemble, conceal, or explain away the true meaning of the cycle when the paintings were new.
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