Italian culture in the industrial era, 1880-1980 : cultural industries, politics and the public
Author(s)
Bibliographic Information
Italian culture in the industrial era, 1880-1980 : cultural industries, politics and the public
Manchester University Press , Distributed exclusively in the USA and Canada by St. Martin's Press, c1990
- : hardback
Available at 14 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p. [215]-226) and index
Description and Table of Contents
Description
This book aims to be both a cultural history of 20-th century Italy and a case study of cultural modernisation. Focusing on the development of the modern cultural industries such as publishing, cinema and broadcasting, it looks at their impact upon a society which remained predominantly agrarian until around 1950. Starting with an overview of Italy since 1990, the book traces the effects of industrialization and commercialization on popular culture and the arts. It then deals with the cultural policies of the Fascists and the post-1945 reconstruction. It ends with a discussion of the impact of television in the 1960s and 1970s and on trends towards multimedia conglomerates and deregulated broadcasting in the 1980s. The author draws on archive and newspaper sources as well as published materials, and questions established assumptions about the relationship between culture and politics, particularly in the Fascist period, and about the forms and meanings of modernization since the Second World War. The book is written in a way that is accessible to the non-specialist reader.
It may also be of interest to students of Italian history and culture, cultural and media studies, European history and politics.
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