Shakespeare's early history plays : politics at play on the Elizabethan stage
著者
書誌事項
Shakespeare's early history plays : politics at play on the Elizabethan stage
Macmillan, 1990
大学図書館所蔵 全37件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
This study examines the early history plays - the first tetralogy and "King John" - as plays, not only by analyzing their theatrical dimensions but also by connecting their staging with the playhouse as a social institution and with the theatricality of Elizabethan culture in the 1590s, especially the Queen's exploitation of opportunities to dramatize her self before her various audiences. Professor Watson discusses the stagecraft in its relationships to an age in which politics had been aestheticized and aesthetics politicized, in which all history was contemporary history, in which such ideological concerns as the wars in the Low Countries and the factions at Court were immediate and explosive for his audiences.
目次
- Part I Theatre, history, politics: theatrical dimensions of the dramatic text
- theatricality and politics
- the theatre as an institution. Part 2 "Henry VI": spectacles of chaos
- from ceremony to "practice". Part 3 "Henry VI": madness and butchery
- savage comedy and the audience's nightmare. Part 4 "Henry VI": the law of the scabbard
- ritualizing atrocity. Part 5 "Richard III": the actor's audience
- faction and providence. Part 6 "King John": John and "The Arts of Fallacy"
- the political language of excess. Part 7 Paradox, play, politics.
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