Wake up, America! : World War I and the American poster
著者
書誌事項
Wake up, America! : World War I and the American poster
Abbeville Press, c1988
1st ed
大学図書館所蔵 全10件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Bibliography: p. 280-281
Includes index
内容説明・目次
内容説明
The "War to End All Wars" did not begin as a popular cause. Americans were reluctant to get involved in what they viewed as Europe's war and reelected Woodrow Wilson on his promise to keep this nation out of it. When war became inevitable, public opinion had to be turned around. To do this, the government mobilized the talents of an incredible cadre of artists to create "pictorial publicity" for all aspects of the war effort - from recruiting to war relief to food and fuel conservation. Artists of the calibre of James Montgomery Flagg, Howard Chandler Christy, Charles Dana Gibson, J.C. Leyendecker and N.C. Wyeth produced an impressive -even magnificent - body of art, yet all but a handful of these posters have been almost totally forgotten. In this volume, historian Walton Rawls combines a stirring popular history of America's role in World War I with a remarkable collection of posters that boldly demonstrate their artistic worth. The text, while providing ample art-historical background, concentrates on the all-absorbing historical and political context in which the posters were created.
The result is a fascinating look at these artifacts, which can be appreciated today both as graphic masterworks and as illustrations of a tragic historical episode.
目次
- A provenance of calamity
- the impossible war
- Lusitania's 202nd crossing
- a rendezvous with death
- the Hun is at the gate
- a vast enterprise in salesmanship
- how art put on a khaki
- a call to action
- the liberty loans
- drums are drumming everywhere
- taps.
「Nielsen BookData」 より