Schenker studies

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書誌事項

Schenker studies

edited by Hedi Siegel

Cambridge University Press, 1990-

  • [1]
  • 2

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注記

Vol. 2 edited by Carl Schachter and Hedi Siegel

"Select bibliography of literature related to Schenker by British authors or in British publications since 1980": [1], p. 190-192

Includes bibliographical references and indexes

内容説明・目次

巻冊次

[1] ISBN 9780521360388

内容説明

The essays contained in this volume provide a focus on the work of the music theorist Heinrich Schenker - a figure of legendary status who has had an incalculable influence on developments in music theory and analysis in this century. His theories, not always fully understood, have aroused some controversy. The broad spectrum of essays presented here will help clarify Schenker's ideas and their application and will also serve as a useful introduction to his work for music theorists. The essays, written by fourteen leading theorists, originate in papers delivered at the Schenker Symposium held at The Mannes College of Music, New York in 1985.

目次

  • Preface
  • Part I. Historical Studies: 1. Introduction
  • 2. Schenkerian theory and manuscript studies: modes of interaction John Rothgeb
  • 3. A source for Schenker's study of thorough bass: his annotated copy of J. S. Bach's Generalbassbuchlein Hedi Siegel
  • 4. Music and morphology: Goethe's influence on Schenker's thought William Pastille
  • 5. Schenkerian theory and the analysis of Renaissance music David Stern
  • 6. Foreground, middleground and background: their significance in the history of tonality Saul Novack
  • Part II. Analytical Studies: 7. Introduction
  • 8. Dual-key movements David Loeb
  • 9. J. S. Bach's 'binary' dance movements: form and voice leading Larry Laskowski
  • 10. Aspects of the Neapolitan sixth chord in Mozart's music Roger Kamien
  • 11. Enharmonic transformation in the first movement of Mozart's Piano Concerto in C minor, K. 491 Eric Wen
  • 12. Schenker and chromatic tonicisation: a reappraisal Patrick McCreless
  • 13. Departures from the norm in two songs from Schumann's Charles Burkhart
  • 14. Either/or Carl Schachter
  • Part III. Schenker Studies Today: 15. Introduction
  • 16. Schenkerian theory in Great Britain: developments and responses Jonathan Dunsby and John Rink
  • 17. The Americanisation of Heinrich Schenker William Rothstein
  • Index.
巻冊次

2 ISBN 9780521470117

内容説明

The second volume of studies based on the work of Heinrich Schenker, now recognised as the twenty-first century's most influential figure in the areas of music theory and analysis. The first section of the book contains three archival studies that derive from the contents of Schenker's Nachlass, recently made available to scholars. Schenker's unpublished papers also supplement several of the analytical studies in the second, larger section of the book. Eleven essays fall into four groups: studies in the Classic and Romantic repertory, studies in twentieth-century music, rhythmic studies and studies in the theory of Schenker's fundamental analytical constructs, the Urline and the Ursatz.

目次

  • Abbreviated references to Schenker's writings
  • Preface
  • Part I. Archival Studies: 1. Levels of understanding: an introduction to Schenker's Nachlass Robert Kosovsky
  • 2. When 'Freier Satz' was part of Kontrapunkt: a preliminary report Hedi Siegel
  • 3. Schenker's unpublished work with the music of Johannes Brahms Allen Cadwallader and William Pastille
  • Part II. Analytical Studies: 4. C. P. E. Bach and the fine art of transposition Wayne Petty
  • 5. Comedy and structure in Haydn's symphonies L. Poundie Burstein
  • 6.'Symphonic breadth': structural style in Mozart's symphonies David Gagne
  • 7. 'Structural momentum' and closure in Chopin's Nocturne Op. 9, No. 2 John Rink
  • 8. On the first movement of Sibelius's Fourth Symphony: a Schenkerian view Edward Laufer
  • 9. Voice leading as drama in Wozzeck Arthur Maisel
  • 10. Sequential expansion and Handelian phrase rhythm Channan Willner
  • 11. Strange dimensions: regularity and irregularity in deep levels of rhythmic reduction Frank Samarotto
  • 12. Diachronic transformation in a Schenkerian context: Brahms's Haydn Variations Timothy Jackson
  • 13. Bass-line articulations of the Urlinie Eric Wen
  • 14. Structure as foreground: 'das Drama des Ursatzes' Carl Schachter
  • Index.

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