Russian theatre in the age of modernism
著者
書誌事項
Russian theatre in the age of modernism
Macmillan, 1990
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注記
Includes bibliographical references and index
内容説明・目次
内容説明
This is a collection of new essays by leading Western specialists on Russian drama and theatre during the first three decades of this century. At this time Russian directors and dramatists were at the forefront of world theatrical experiments, and many of the problems which they faced have since taken on wider significance throughout the world of theatre. The collection is edited by two lecturers in Russian, both of whom have previously published books on Soviet literature.
目次
- Stanislavsky's production of Chekhov's "Three Sisters", Nick Worrall
- Boris Geyer and cabaretic playwriting, Laurence Senelick
- Boris Pronin, Meyerhold and Cabaret - some connections and reflections, Michael Green
- Leonid Andreyev's "He Who Gets Slapped" - who gets slapped?, Andrew Barratt
- Kuzmin, Gumilev and Tsvetayeva as neo-Romantic playwrights, Simon Karlinsky
- mortal masks - Yevreinov's drama in two acts, Spencer Golub
- the first Soviet plays, Robert Russell
- the nature of the Soviet audience - Soviet theatrical ideology and audience research in the 1920s, Lars Kleberg
- German expressionism and early Soviet drama, Harold B.Segel
- down with the foxtrot! concepts of satire in Soviet theatre of the 1920s, J.A.E.Curtis
- Mikhail Bulgakov - the status of the dramatist and the status of the text, Lesley Milne.
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