Time passages : collective memory and American popular culture
著者
書誌事項
Time passages : collective memory and American popular culture
（American culture / edited by Stanley Aronowitz, Sandra M. Gilbert, and Jackson Lears）
University of Minnesota Press, c1990
- : hbk
- : pbk
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注記
Includes bibliographical notes (p. 275-291) and index
内容説明・目次
内容説明
In "Time passages", George Lipsitz explores the complicated relationship in postwar America between historical memory and commercial culture, between the texts of popular culture and their contexts of creation and reception. Arguing that a "crisis of memory" lies at the heart of modern culture, he demonstrates how popular culture and history are linked in a selective (and paradoxical) process of remembering and forgetting. Popular television, music and film baffle those critics trained in traditional modes of aesthetic criticism. In Lipsitz's hands, however, the texts of popular culture prove to be sophisticated repositories of historical knowledge; in his words, the sideshow becomes the main event. "George Lipsitz is Associate Professor of American Studies and History at the University of Minnesota.".
目次
- Culture and history Popular culture: this ain't no sideshow
- Precious and communicable: history in an age of popular culture Popular television The meaning of memory: family, class and ethnicity in early network television
- Why remember mama? The changing face of a woman's narrative Popular music Against the wind: dialogic aspects of rock and roll
- Cruising around the historical bloc: postmodernism and popular music in east Los Angeles Popular film No way out: dialogue and negotiation in reel America
- The New York intellectuals: Samuel Fuller and Edgar Ulmer Popular narrative History, myth, and counter-memory: narrative and desire in popular novels
- Mardi Gras indians: carnival and counter-narrative in Black New Orleans History and the future Buscando America (looking for America): collective memory in an age of amnesia
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