The Historian and film
Author(s)
Bibliographic Information
The Historian and film
Cambridge University Press, 1976
- pbk
Available at 5 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Bibliography: p. 186-200
Includes index
Description and Table of Contents
Description
Film is increasingly engaging the attention of students of history at all levels. In its manifold forms from the newsreel to the 'feature', it is a major source of evidence for, and an important influence upon, contemporary history, and a vivid means of bringing the recent past to life. For earlier periods, it provides a medium in which the often widely dispersed visual evidences of the past can be brought together for the student. It offers the historian a new form in which to interpret and present his subject, and, as television has shown, it is by far the most important vehicle for the presentation of history to mass audiences. The analysis of its content and impact and the exploration of its uses are especially fitted to bring history into an interdisciplinary relationship with other fields, from sociology to the visual arts.
Table of Contents
- Part I. The raw material: 1. Film resources Lisa Pontecorvo
- 2. Film preservation: the archives Clive Coultas
- Part II. Film as historical evidence: 3. The evaluation of film as evidence William Hughes
- 4. The fiction film and historical analysis Marc Ferro
- Part III. Film as historical factor: 5. The newsreels: the illusion of actuality Nicholas Pronay
- Part IV. Film in the interpretation and teaching of history: 6. The historian as film-maker I Rolf Schuursma
- 7. The historian as film-maker II John Grenville
- 8. Film in university teaching Arthur Marwick
- 9. Film in the classroom Bryan Haworth
- 10. History on the public screen I Donald Watt
- 11. History on the public screen II Jerry Kuehl.
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