The Apollonian clockwork : on Stravinsky

著者

書誌事項

The Apollonian clockwork : on Stravinsky

by Louis Andriessen and Elmer Schönberger ; translated from the Dutch by Jeff Hamburg

Oxford University Press, 1989

タイトル別名

Het apollinisch uurwerk

大学図書館所蔵 件 / 全3件

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注記

Translation of: Het apollinisch uurwerk

Includes bibliographical references (p. [277]-285) and index

内容説明・目次

内容説明

A study of Stravinsky illustrated with many musical examples which explores his musical thought and argues that the familiar division of the composer's work into various periods, such as "Russian" and "neo-classical", more often obscures rather than clarifies the music.

目次

  • Part 1: the new renewed
  • 1966 - "Requiem Canticles"
  • America on Sunday
  • ars imitatio artis
  • no copyright problem here
  • 1919 - "La Marseillaise"
  • a motto
  • ordeals of the memory
  • forma formans
  • zoonology
  • 1947 - "Orpheus". Part 2: Purcell, Pergolesi and the others
  • concocted reality
  • the inverted metaphor
  • the utopian unison
  • "Poetique Musicale"
  • on influence
  • 1952 - "Cantata"
  • "Philosophie der neuen Musik"
  • 1955 - "Greeting Prelude"
  • New York - Robert Craft and Vera Stravinsky
  • 1943 - "Ode". Part 3: Monsieur, le pauvre Satie
  • ragtime
  • 1921 - "Les cinq doigts"
  • 1917 - "Les Noces" ("Svadebka")
  • on montage technique
  • a kind of Brecht
  • 1918 - "L'Histoire du Soldat"
  • on authenticating and on making current
  • ostinato basses
  • a visit to Lake Geneva
  • id est - hermetic music. Part 4: Stravinsky
  • 1957 - "Agon"
  • the world, a comedy
  • "...I sing my song"
  • the metamorphosis of Misha
  • octotony
  • the firebird as magpie
  • 1912 - "Le Roi des Etoiles" ("Zvezdoliki")
  • the tradition of the new
  • spirit in the bottle of Cologne
  • a photomontage. Part 5: 1951 - "The Rake's Progress".

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