Machaut's Mass : an introduction

著者

書誌事項

Machaut's Mass : an introduction

Daniel Leech-Wilkinson

Clarendon Press, 1990

  • : pbk.

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注記

Includes a new ed. of the Mass

Includes bibliographical references

内容説明・目次

巻冊次

ISBN 9780193163331

内容説明

Machaut's "Messe de Notre Dame" stands as an enduring monument of medieval musical art. As such it is one of the most widely studied and performed works of music written before 1600. The Mass itself, however, is surrounded by uncertainty. Its date of composition is unknown, its purpose is unclear and its construction yields much ambiguity. Daniel Leech-Wilkinson has now prepared a modern performing edition of this work, and this companion volume defines his editorial methods in the context of the controversies surrounding the principles of editing music of this period, and indeed of the many different interpretations of the compositional structure and function of the music.

目次

  • Part 1 Machaut and the Mass. Part 2 Construction: formal choices
  • Kyrie Gloria and Credo
  • Sanctus
  • Agnus Dei
  • Ite missa est. Part 3 Elaboration: four-part conception and composition
  • prolongations. Part 4 Coherence: mode change
  • lower-voice counterpoint
  • four-part harmony
  • rhythmic coherence
  • motives
  • quotations
  • developments
  • satellite works.
巻冊次

: pbk. ISBN 9780198163060

内容説明

Machaut's "Messe de Notre Dame" stands as an enduring monument of medieval musical art. As such it is one of the most widely studied and performed works of music written before 1600. The Mass itself, however, is surrounded by uncertainty; its date of composition is unknown, its purpose is unclear, and its construction yields much ambiguity. Daniel Leech-Wilkinson has prepared a modern performing edition of this work, published by OUP's music department. This companion volume defines his editorial methods in the context of the minefield of controversies surrounding the principles of editing music of this period, and indeed of the many different interpretations of the compositional structure and function of the music. Relating the Mass to other works of the period, he provides the student and performer with a guide to its intricacies.

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