Russian literature since the Revolution
Author(s)
Bibliographic Information
Russian literature since the Revolution
Harvard University Press, 1982
Rev. and enl. ed
- pbk.
Available at 7 libraries
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  Niigata
  Toyama
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  Nagano
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  Kyoto
  Osaka
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  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
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  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
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Note
Bibliography: p. [398]-400
Includes index
Description and Table of Contents
- Volume
-
ISBN 9780674782037
Description
Surveys the major writers, organizations, and movements in modern Russian literature and examines the clash between writers and the state.
- Volume
-
pbk. ISBN 9780674782044
Description
Long recognized as the best and most comprehensive work on its subject, Brown's fine book is now thoroughly revised and updated. It provides a comprehensive treatment of Russian literature, including underground and emigre writings, from 1917 to the early 1980s.
Every stage in the evolution of Russian literature since 1917, every major author, all the important literary organizations, groups, and movements, are sharply outlined, with a wealth of often unfamiliar detail and a notable economy of means. Critical essays on Mayakovsky, Zamyatin, Olesha, Pasternak, Brodsky, Solzhenitsyn, Rasputin, Erofeev, and many others offer sophisticated formal and thematic analyses of a very large array of literary masterpieces.
The book examines and makes intelligible the persistent conflict between the writer and the state, between the literary artist's urge for untrammeled self-expression and the pervasive control of intellectual activity exercised by the Soviet government. Chapters on "The Levers of Control under Stalin," "The First Two Thaws," "Into the Underground," and "Solzhenitsyn and the Epic of the Camps" reveal the conditions under which Russian literature was produced in various periods and investigate the forces that drove an important segment of the literature into clandestine publication or into exile. "Exiles, Early and Late" deals with some of the leading figures in emigre literature and examines the condition of exile as an influence on literary creation. "The Surface Channel" describes and analyzes a number of significant works published aboveground in the Soviet Union during the sixties and seventies. Brown abandons the old distinction between Soviet and emigre literature, treating all Russian writing as part of a single stream, divided since 1917 into two currents not totally separate but subtly interrelated.
Table of Contents
Long recognized as the best and most comprehensive work on its subject, Edward J. Brown's fine book is now thoroughly revised and updated. It provides a compendious treatment of Russian literature from the revolutionary period to the early 1980s. Every stage in the evolution of Russian literature since 1917, every major author, all the important literary organizations, groups, and movements, are sharply outlined, with a wealth of often unfamiliar detail and a notable economy of means. Critical essays on Mayakovsky, Zamyatin, Olesha, Pasternak, Brodsky, Solzhenitsyn, Rasputin, Erofeev, and many others offer sophisticated formal and thematic analyses of a very large array of literary masterpieces. The book examines and makes intelligible the persistent conflict between the writer and the state, between the literary artist's urge for untrammeled self-expression and the pervasive control of intellectual activity exercised by the Soviet government. Chapters on "The Levers of Control under Stalin," "The First Two Thaws," "Into the Underground," and "Solzhenitsyn and the Epic of the Camps" reveal the conditions under which Russian literature was produced in various periods and investigate the forces that drove an important segment of the literature into clandestine publication or into exile. "Exiles, Early and Late" deals with some of the leading figures in emigre literature and examines the condition of exile as an influence on literary creation. "The Surface Channel" describes and analyzes a number of significant works published aboveground in the Soviet Union during the sixties and seventies. Brown abandons the old distinction between Soviet and emigre literature, treating all Russian writing as part of a single stream, divided since 1917 into two currents not totally separate but subtly interrelated.
by "Nielsen BookData"