Child of paradise : Marcel Carné and the golden age of French cinema
著者
書誌事項
Child of paradise : Marcel Carné and the golden age of French cinema
(Harvard film studies)
Harvard University Press, 1989
- : pbk
並立書誌 全1件
大学図書館所蔵 全7件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Filmography: p. [437]-444
Bibliography: p. [445]-446
Includes index
内容説明・目次
- 巻冊次
-
ISBN 9780674114609
内容説明
Marcel Carne symbolizes the period, approximately 1930-1945, when French cinema recaptured the creative vitality and prestige it had relinquished almost completely to the American film industry. The first critical biography of this director of classic films, including the epic historical romance "Les Enfants du paradis" (Children of Paradise), relates the saga of Carne's meteoric rise in the 1930s and his decline from critical grace after the war. Between 1937 and 1945 Carne directed a number of works that are now part of France's cultural patrimony, most notably "Le Quai des Brumes" (1938), "LeJour se leve" (1939), "Les Visiteurs du soir" (1942), and the best known, "Les Enfants du paradis" (1945). The artistic merit of these films is widely acknowledged; their significance, however, is not solely aesthetic. To know Carne and his films is to know how cinematic art responded to social and political events -- to the period of French history that witnessed the Popular Front, the Front's demise, the fall of France, and the Occupation. Edward Baron Turk discloses the incongruities between the director's aesthetic of poetic realism and his professed leftist sympathies; he situates Carne's questionable stance and activities during the Occupation within the broader context of an artist's ethical responsibilities in times of war; and he examines the ramifications of Carne's censure during the postwar purges for the director's subsequent fortunes. Turk's use of the psychoanalytic concepts of androgyny, masochism, fetishism, and primal scene allows us to understand more clearly how Carne thought and worked. Turk also addresses the representations and maskings of homosexuality in Carne'sfilms and the extent to which they have colored film history's often ambivalent assessments of the director. The centerpiece of the book is an extended analysis of what is arguably the most famous and beloved of all French films, "Les Enfants du paradis," scripted by the poet-screenwriter Jacques Prevert.
The book draws on unpublished correspondence from, among others, Jean Cocteau, Francois Truffaut, and Simone Signoret, and on interviews by the author with Arletty, Jean-Louis Barrault, Mme. Jacques Prevert, Pierre Prevert, Claude Renoir, Alexander Trauner, Truffaut, and Carne himself. This portrait of Carne thus becomes the portrait of an age, a great age in the history of French cinema, albeit a tragic age in the history of France.
- 巻冊次
-
: pbk ISBN 9780674114616
内容説明
Marcel Carne symbolizes the period, approximately 1930-1945, when French cinema recaptured the creative vitality and prestige it had relinquished almost completely to the American film industry. This biography of this director of classic films, including the epic historical romance "Les Enfants du paradis" (Children of Paradise), relates the saga of Carne's meteoric rise in the 1930s and his decline from critical grace after the war. The book draws on unpublished correspondence from, among others, Jean Cocteau, Francois Truffaut and Simone Signoret, and on interviews by the author with Arletty, Jean-Louis Barrault, Mme. Jacques Prevert, Pierre Prevert, Claude Renoir, Alexander Trauner, Truffaut and Carne himself.
「Nielsen BookData」 より