The history of violin playing from its origins to 1761 : and its relationship to the violin and violin music
Author(s)
Bibliographic Information
The history of violin playing from its origins to 1761 : and its relationship to the violin and violin music
(Clarendon paperbacks)
Clarendon Press, c1990
Available at 7 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Bibliography: p. [509]-523
Includes index
Description and Table of Contents
Description
David Boyden's classic book, first published in 1965, was the first to deal comprehensively with the history of violin playing against the vast panorama of the violin's evolution and the music written for it. Its principal theme is the manner in which the violin was actually played in past centuries, dealing with such practical questions as bowing disciplines in their national and historical evolution, the performance of staccato, the use of vibrato, the meaning of
numerous and esoteric performing directions, the notation and performance of double stops, the rules of scordatura playing, and the sound of the violin in early times. Remaining an invaluable source of reference for the performance of early music, this book is now available for the first time in
paperback.
Table of Contents
- Part 1 The formative period, 1520-1600: the origin and development of the early violin, 1520-50
- the advent of the true violin and its development to 1600
- violin music in the 16th century. Part 2 The development of an idiomatic technique, 1600-1650: the development of the violin and bow in the early 17th century
- the new violin idiom - violin music and its uses in different countries, 1600-50
- the technique and sound of the violin in the early 17th century
- general matters affecting the violin to 1650. Part 3 The national schools of the late seventeenth century - the rise of virtuosity: the development of the violin and bow, 1650-1700
- the violin music of the late 17th century
- the technique of the violin 1650-1700
- general matters affecting the violin, 1650-1700. Part 4 The culmination of the early history of violin playing 1700-1761: the violin and bow of the early 18th century
- the violin music of the early 18th century
- the technique of the violin, 1700-1761
- specific and improvised ornaments - the cadenza
- tempo - alterations of rhythm, dynamics, expression
- practical hints to modern violinists.
by "Nielsen BookData"