A critical cinema : interviews with independent filmmakers

著者

書誌事項

A critical cinema : interviews with independent filmmakers

Scott MacDonald

University of California Press, c1988-

  • [1] : cloth
  • [1] : pbk
  • 2 : cloth
  • 2 : pbk
  • 3 : cloth
  • 3 : pbk
  • 4 : cloth
  • 4 : pbk
  • 5 : paper

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注記

Bibliography: [1]: p. 391-398 -- 3: p. 455-464 -- 4: p. 375-381 -- 5: p. 423-430

Filmography: [1]: p. 375-390 -- 3: p. 429-454 -- 4: p. 363-374 -- 5: p. 405-421

Includes index

内容説明・目次

巻冊次

[1] : cloth ISBN 9780520058002

内容説明

It is widely understood that writing can discuss writing, but we rarely consider that film can be used as a means of analyzing conventions of the commercial film industry, or of theorizing about cinema in general. Over the past few decades, however, independent cinema has produced a body of fascinating films that provide intensive critiques of nearly every element of the cinematic apparatus. The experience of these films simultaneously depends on and redefines our relationship to the movies."Critical Cinema" provides a collection of in-depth interviews with some of the most accomplished "critical" filmmakers. These interviews demonstrate the sophistication of their thinking about film (and a wide range of other concerns) and serve as an accessible introduction to this important area of independent cinema. Each interview is preceded by a general introduction to the filmmaker's work; detailed filmographies and bibliographies are included. "Critical Cinema" will be a valuable resource for all those involved in the formal study of film, and will be essential reading for film lovers interested in keeping abreast of recent developments in North American cinema. The interviewees include: Hollis Frampton, Larry Gottheim, Robert Huot, Taka Iimura, Carolee Schneeman, Tom Chomont, J.J. Murphy, Beth B and Scott B, John Waters, Vivienne Dick, Bruce Conner, Robert Nelson, Babette Mangolte, George Kuchar, Diana Barrie, Manuel DeLanda, and Morgan Fisher.
巻冊次

[1] : pbk ISBN 9780520058019

内容説明

It is widely understood that writing can discuss writing, but we rarely consider that film can be used as a means of analyzing conventions of the commercial film industry, or of theorizing about cinema in general. Over the past few decades, however, independent cinema has produced a body of fascinating films that provide intensive critiques of nearly every element of the cinematic apparatus. The experience of these films simultaneously depends on and redefines our relationship to the movies. Critical Cinema provides a collection of in-depth interviews with some of the most accomplished "critical" filmmakers. These interviews demonstrate the sophistication of their thinking about film (and a wide range of other concerns) and serve as an accessible introduction to this important area of independent cinema. Each interview is preceded by a general introduction to the filmmaker's work; detailed filmographies and bibliographies are included. Critical Cinema will be a valuable resource for all those involved in the formal study of film, and will be essential reading for film lovers interested in keeping abreast of recent developments in North American cinema. INTERVIEWEES: Hollis Frampton, Larry Gottheim, Robert Huot, Taka Iimura, Carolee Schneeman, Tom Chomont, J.J. Murphy, Beth B and Scott B, John Waters, Vivienne Dick, Bruce Conner, Robert Nelson, Babette Mangolte, George Kuchar, Diana Barrie, Manuel DeLanda, Morgan Fisher.
巻冊次

2 : cloth ISBN 9780520079175

内容説明

This sequel to "A Critical Cinema" offers a new collection of interviews with independent filmmakers. Scott MacDonald reveals the sophisticated thinking of these artists regarding film, politics and contemporary gender issues. The interviews explore the careers of Robert Breer, Trinh T. Minh-ha, James Benning, Su Friedrich, and Godfrey Reggio. Yoko Ono discusses her cinematic collaboration with John Lennon; Michael Snow talks about his music and films. Anne Robertson describes her cinematic diaries; Jonas Mekas and Bruce Baillie recall the New York and California avant-garde film culture. The selection has a particularly strong group of women filmmakers, including Yvonne Rainer, Laura Mulvey and Lizzie Borden. Other notable artists are Anthony McCall, Andrew Noren, Ross McElwee, Anne Severson, and Peter Watkins.
巻冊次

2 : pbk ISBN 9780520079182

内容説明

This sequel to "A Critical Cinema" offers a new collection of interviews with independent filmmakers that is a feast for film fans and film historians. Scott MacDonald reveals the sophisticated thinking of these artists regarding film, politics, and contemporary gender issues. The interviews explore the careers of Robert Breer, Trinh T. Minh-ha, James Benning, Su Friedrich, and Godfrey Reggio. Yoko Ono discusses her cinematic collaboration with John Lennon, Michael Snow talks about his music and films, Anne Robertson describes her cinematic diaries, Jonas Mekas and Bruce Baillie recall the New York and California avant-garde film culture. The selection has a particularly strong group of women filmmakers, including Yvonne Rainer, Laura Mulvey, and Lizzie Borden. Other notable artists are Anthony McCall, Andrew Noren, Ross McElwee, Anne Severson, and Peter Watkins.

目次

Acknowledgments Introduction Robert Breer Michael Snow Jonas Mekas Bruce Baillie Yoko Ono Anthony McCall Andrew Noren Anne Robertson James Benning Lizzie Borden Ross McElwee Su Friedrich Anne Severson (on Near the Big Chakra) Laura Mulvey (on Riddles of the Sphinx) Yvonne Rainer (on Privilege) Trinh T. Minh-ha Godfrey Reggio Peter Watkins Filmography Bibliography Index
巻冊次

3 : cloth ISBN 9780520087057

内容説明

"A Critical Cinema 3" continues Scott MacDonald's compilation of personal interviews and public discussions with major contributors to independent filmmaking and film awareness. An informative exchange with Amos Vogel, whose Cinema 16 Society drew American filmgoers into a broader sense of film history, is followed by interviews reflecting a wide range of approaches to filmmaking. Sally Potter discusses her popular feature, Orlando, in relation to the experimental work that preceded it, and Canadian independent John Porter argues compellingly for small-gauge, Super-8mm filmmaking.Ken Jacobs discusses the "Nervous System" apparatus with which he transforms old film footage into new forms of motion picture art; Jordan Belson describes his Vortex Concerts, ancestors of modern laser light shows; and Elias Merhige talks about going beneath the "rational structure of meaning" in Begotten. "A Critical Cinema 3" presents independent cinema as an international and multiethnic phenomenon. MacDonald interviews filmmakers from Sweden, France, Italy, Austria, Armenia, India, the Philippines, and Japan and examines the work of African Americans, European Americans, Asian Americans, and Hispanics. He provides an introductory overview of each interviewee, as well as detailed film/videographies and selected bibliographies. With its predecessors, "A Critical Cinema" (California, 1988) and "A Critical Cinema 2" (California, 1992), this is the most extensive, in-depth exploration of independent cinema available in English.
巻冊次

3 : pbk ISBN 9780520209435

内容説明

"A Critical Cinema 3" continues Scott MacDonald's compilation of personal interviews and public discussions with major contributors to independent filmmaking and film awareness. An informative exchange with Amos Vogel, whose "Cinema 16 Society" drew American filmgoers into a broader sense of film history, is followed by interviews reflecting a wide range of approaches to filmmaking. Sally Potter discusses her popular feature, "Orlando", in relation to the experimental work that preceded it, and Canadian independent John Porter argues compellingly for small-gauge, Super-8 mm filmmaking. Ken Jacobs discusses the 'Nervous System' apparatus with which he transforms old film footage into new forms of motion picture art; Jordan Belson describes his "Vortex Concerts", ancestors of modern laser light shows; and Elias Merhige talks about going beneath the 'rational structure of meaning' in Begotten. "A Critical Cinema 3" presents independent cinema as an international and multiethnic phenomenon. MacDonald interviews filmmakers from Sweden, France, Italy, Austria, Armenia, India, the Philippines, and Japan and examines the work of African Americans, European Americans, Asian Americans, and Hispanics. He provides an introductory overview of each interviewee, as well as detailed film/videographies and selected bibliographies. With its predecessors, "A Critical Cinema" (California, 1988) and "A Critical Cinema 2" (California, 1992), this is the most extensive, in-depth exploration of independent cinema available in English.

目次

Acknowledgments Introduction Amos Vogel William Greaves Jordan Belson (and collaborator Stephen Beck) Arthur Peleshian Charles Burnett Hara Kazuo At the Flaherty Peter Watkins Ken Jacobs Nick Deocampo Mani Kaul Craig Baldwin Gunvor Nelson Christine Choy (and collaborators Allan Siegel, Worth Long, and Renee Tajima) Rose Lowder Peter Hutton Valie Export (on Invisible Adversaries) Patrick Bokanowski (on The Angel) Yervant Gianikian and Angela Ricci Lucchi (on From the Pole to the Equator) Elias Merhige (on Begotten) Aline Mare (on S'Aline's Solution) Cauleen Smith (on Chronicles of a Lying Spirit (by Kelly Gabron)) John Porter Raphael Montanez Ortiz Martin Arnold Ken and Flo Jacobs Sally Potter Filmography Bibliography Index
巻冊次

4 : cloth ISBN 9780520242692

内容説明

A Critical Cinema 4 is the fourth volume in Scott MacDonald's Critical Cinema series, the most extensive, in-depth exploration of independent cinema available in English. In this new set of interviews, MacDonald once again engages filmmakers in detailed discussions of their films and of the personal experiences and political and theoretical currents that have shaped their work. The interviews are arranged to express the remarkable diversity of modern independent cinema and the network of interconnections within the community of filmmakers. A Critical Cinema 4 includes the most extensive interview with the late Stan Brakhage yet published; a conversation with P. Adams Sitney about his arrival on the New York independent film scene; a detailed discussion with Peter Kubelka about the experience of making Our African Journey; a conversation with Jill Godmilow and Harun Farocki on modern political documentary; Jim McBride's first extended published conversation in thirty years; a discussion with Abigail Child about her evolution from television documentarian to master editor; and the first extended interview with Chuck Workman. T his volume also contains discussions with Chantal Akerman about her place trilogy; Lawrence Brose on his examination of Oscar Wilde's career; Hungarian Peter Forgacs about his transformation of European home movies into video operas; Iranian-born Shirin Neshat on working between two cultures; and Ellen Spiro about exploring America with her video camera and her dog. Each interview is supplemented by an introductory overview of the filmmaker's contributions. A detailed filmography and a selected bibliography complete the volume.
巻冊次

4 : pbk ISBN 9780520242715

内容説明

A Critical Cinema 4 is the fourth volume in Scott MacDonald's Critical Cinema series, the most extensive, in-depth exploration of independent cinema available in English. In this new set of interviews, MacDonald once again engages filmmakers in detailed discussions of their films and of the personal experiences and political and theoretical currents that have shaped their work. The interviews are arranged to express the remarkable diversity of modern independent cinema and the network of interconnections within the community of filmmakers. A Critical Cinema 4 includes the most extensive interview with the late Stan Brakhage yet published; a conversation with P. Adams Sitney about his arrival on the New York independent film scene; a detailed discussion with Peter Kubelka about the experience of making Our African Journey; a conversation with Jill Godmilow and Harun Farocki on modern political documentary; Jim McBride's first extended published conversation in thirty years; a discussion with Abigail Child about her evolution from television documentarian to master editor; and the first extended interview with Chuck Workman. This volume also contains discussions with Chantal Akerman about her place trilogy; Lawrence Brose on his examination of Oscar Wilde's career; Hungarian Peter Forgacs about his transformation of European home movies into video operas; Iranian-born Shirin Neshat on working between two cultures; and Ellen Spiro about exploring America with her video camera and her dog. Each interview is supplemented by an introductory overview of the filmmaker's contributions. A detailed filmography and a selected bibliography complete the volume.
巻冊次

5 : paper ISBN 9780520245952

内容説明

A "Critical Cinema 5" is the fifth volume in Scott MacDonald's "Critical Cinema" series, the most extensive, in-depth exploration of independent cinema available in English. In this new set of interviews, MacDonald engages filmmakers in detailed discussions of their films and of the personal experiences and political and theoretical currents that have shaped their work. The interviews are arranged to express the remarkable diversity of modern independent cinema and the interactive community of filmmakers that has dedicated itself to producing forms of cinema that critique conventional media.

目次

Acknowledgments Introduction Kenneth Anger Tony Conrad ON THE SIXTIES Nathaniel Dorsky Peggy Ahwesh Alan Berliner Robb Moss Phil Solomon James Benning ON HIS WESTERNS J. Leighton Pierce Matthias Muller Sharon Lockhart Jennifer Todd Reeves On Chronic and The Time We Killed Kano Shiho Ernie Gehr Filmography Bibliography Index

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