The nature of art
著者
書誌事項
The nature of art
（The problems of philosophy : their past and present）
Routledge, 1990
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注記
Bibliography: p. 190-193
Includes index
内容説明・目次
内容説明
Although various aesthetic themes have preoccupied many major philosophers, from Plato to Goodman, the central questions of the philosophy of art have remained ill-defined. This book gives a concise and systematic account of the leading philosophical ideas about art and aesthetics from ancient times to the present day, and goes on to propose a new theory of aesthetic satisfaction and artistic abilities.
目次
- Introduction
- 1. Art is anomalous
- 2. Forms of aesthetic scepticism: philistines and iconoclasts
- 3. Historical note
- 4. The central issues
- 5. Aestheticism
- Section 01 I Hedonism and the Theory of Taste
- Section 01-01-01 1. General objections
- Section 01-01-02 2. Beauty as a secondary quality: Hutcheson, Reid, Burke
- Section 01-01-03 3. Beauty as a primary quality: Santayana. Bell
- Section 01-01-04 4. Hume's theory
- Section 02 II Theories that Assign a Direct Practical F'urpose to Art
- Section 02-01-01 1. Nutritional and medicinal analogies
- Section 02-01-02 2. General difficulties
- Section 02-01-03 3. Art as substitute satisfaction: Freud
- Section 02-01-04 4. Tolstoy's theory
- Section 02-01-05 5. Art as a pseudo-capacity: Plato
- Section 02-01-06 6. Beauty and inspiration: Plato
- Section 02-01-07 7. Metaphysical aestheticism: Plotinus
- Section 03 III Perfection and the Play of Cognition
- Section 03-01-01 1. Aristotle's theory of pleasure
- Section 03-01-02 2. Beauty and perfection: a dilemma
- Section 03-01-03 3. Rationalist aesthetics: Leibniz, Baumgarten
- Section 03-01-04 4. Kant's theory (I): the existence of a non-cognitive aim of cognition
- Section 03-01-05 5. Kant's theory (2): the sublime and the moral signijicance of beauty
- Section 04 IV Art as the Experience of Metaphysical Truth
- Section 04-01-01 1. The reception of Kant's theory: Schiller, Schelling
- Section 04-01-02 2. Art and nature: Schelling
- Section 04-01-03 3. Art as the 'sensuous presentation of the Absolute': Hegel
- Section 04-01-04 4. Hegel's iconoclasm
- Section 04-01-05 5. Art as respite: Schopenhauer
- Section 04-01-06 6. Schopenhauer on music
- Section 04-01-07 7. Conclusion: the needfor a theory offorms of knowledge
- Section 05 V Art as Language
- Section 05-01-01 1. Knowledge by acquaintance
- Section 05-01-02 2. The phenomenological approach: Dufrenne
- Section 05-01-03 3. Croce's theory of intuition and expression
- Section 05-01-04 4. Presentational symbols: Langer
- Section 05-01-05 5. Art and the general theory of symbols: Goodman
- Section 06 VI Art and Metaphor
- Section 06-01-01 1. The relevance of metaphor
- Section 06-01-02 2. Theories of metaphor
- Section 06-01-03 3. Literalist and tropist prejudices
- Section 06-01-04 4. Dead and faint metaphor
- Section 06-01-05 5. Viewpoints and exponability
- Section 06-01-06 6. Art as metaphor
- Section 06-01-07 7. Unanswered questions
- Section 07 VII Virtues and Indirect Pleasures
- Section 07-01-01 1. A problem about pleasure and 'completeness'
- Section 07-01-02 2. Cognitive virtues
- Section 07-01-03 3. A pragmatic theory of beauty
- Section 07-01-04 4. Art as recreation
- Section 07-01-05 5. The 'institutional' theory of art
- Section 07-01-06 6. Cognitive pleasure: Aristotle on happiness
- Section 08 VIII The Aim Behind Perception
- Section 08-01-01 1. Cognition and the essentially metaphorical
- Section 08-01-02 2. The intellect and the senses: Aristotle
- Section 08-01-03 3. Further problems in understanding particulars
- Section 08-01-04 4. The imagination as a pseudo-capacity
- Section 08-01-05 5. Perception and kinaesthetic experience
- Section 08-01-06 6. Productive skills and conceptual empathy
- Section 09 IX Aesthetic Satisfaction
- Section 09-01-01 1. Peculiarities of aesthetic enjoyment
- Section 09-01-02 2. Perceptual knowledge
- Section 09-01-03 3. Aesthetic understanding (1): empathic enjoyment
- Section 09-01-04 4. Aesthetic understanding (2): beauty and necessity
- Section 09-01-05 5. Beauty and experiential knowledge
- Section 10 X Art and Artistic Abilities
- Section 10-01-01 1. Questions about art
- Section 10-01-02 2. Two theories of artistic abilities
- Section 10-01-03 3. Creative imagination
- Section 10-01-04 4. Inspiration and works of art
- Section 10-01-05 5. Inspiration and artistic success
- Section 10-01-06 6. Understanding art
- Section 10-01-07 7. The value of art: aesthetic experience as a source of meaning
- Bibliography
- Index
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