Burgundian court song in the time of Binchois : the anonymous chansons of El Escorial, MS V.III.24
著者
書誌事項
Burgundian court song in the time of Binchois : the anonymous chansons of El Escorial, MS V.III.24
(Oxford monographs on music)
Clarendon Press , Oxford University Press, 1990
大学図書館所蔵 全11件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Bibliogrpahy: p. [133]-147
内容説明・目次
内容説明
The court of the Dukes of Burgundy saw a growth in popularity of the chanson during the early 15th century. Whilst maintaining medieval forms and functions, the chanson of this period acquired an eloquence and creative scope which was evident in the works of the leading composers, resulting in a genre which the author describes as the musical voice of Burgundian melancholy. The polyphonic chanson is examined within the literary, social and aesthetic context of court culture during the reign of Philip the Good. This particular study focuses on the anonymous songs collected in the manuscript "Escorial, Biblioteca del Monasterio MS V.III.24", a major source of Franco-Flemish song. Through analysis of the cadences, melodies, mensuration, textures and rhythmic figures, the author has been able to establish stylistic criteria for the ascription of these songs to the masters of the period, Dufay and Binchois. The first section of the book explores Binchois' markedly individual style and assesses his contribution to the genre. This is followed by an analysis which places individual songs within the context of the courts in whose service they were composed.
目次
- PART I: THE ANONYMOUS CHANSONS
- ANALYSIS AND ASCRIPTION: Introduction
- The Rondeaux for Three Voices: Cadences
- The Rondeaux for Three Voices: Melody
- The Rondeaux for Three Voices: Mensuration, texture, and performance practice
- Other Rondeaux, the Ballades, and the Middle Dutch songs
- A new Binchois repertoire
- PART II: THE CHANSON IN BURGUNDIAN COURT CULTURE: Introduction
- What is `Burgundian' music?
- Chivalric humanism and the Chanson
- The Chanson and la Courtoise
- The musical mirror of Burgundian melancholy
- Conclusion
- Appendices: Catalogue of Escorial MS V.III.24
- The Anonymous Pieces
- The Vers-Structure of the French-texted songs
- Corrigenda
- Bibliography
- Index
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