Music as social text

Bibliographic Information

Music as social text

John Shepherd

Polity Press, 1991

  • : pbk

Available at  / 18 libraries

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Note

Bibliography: p. [224]-231

Includes index

Description and Table of Contents

Volume

ISBN 9780745608259

Description

The study of music in its social context has expanded rapidly over the last 15 years, yet little of this work discusses the music itself: the processes, textures and structures of sound which so powerfully affects us as individuals. "Music as Social Text" begins by analyzing the forces which have made this kind of discussion difficult within the intellectual tradition of the western world. The book argues that a society in which reality is grasped in an overwhelmingly visual way has difficulty with expression that is non-designative in its use of sound.

Table of Contents

  • Part 1 Music as Social Knowledge: music premises
  • the inadequacy of psychological theories
  • the post-renaissance, industrial world
  • the blocks against a social theory. Part 2 Music as social text: meaning in music
  • functional tonality - a basis for musical hegemony
  • the analysis of popular music - class, generation and ethnicity
  • music and male hegemony
  • music, text and subjectivity. Part 3 musical sociality and musicology: musicology and popular music studies
  • towards a musicology of society.
Volume

: pbk ISBN 9780745608266

Description

The study of music in its social context has expanded rapidly over the last 15 years, yet little of this work discusses the music itself: the processes, textures and structures of sound which so powerfully affects us as individuals. "Music as Social Text" begins by analysing the forces which have made this kind of discussion difficult within the intellectual tradition of the western world. The book argues that a society in which reality is grasped in an overwhelmingly visual way has difficulty with expression that is non-designative in its use of sound.

Table of Contents

  • Part 1 Music as Social Knowledge: music premises
  • the inadequacy of psychological theories
  • the post-renaissance, industrial world
  • the blocks against a social theory. Part 2 Music as social text: meaning in music
  • functional tonality - a basis for musical hegemony
  • the analysis of popular music - class, generation and ethnicity
  • music and male hegemony
  • music, text and subjectivity. Part 3 musical sociality and musicology: musicology and popular music studies
  • towards a musicology of society.

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Details

  • NCID
    BA11661449
  • ISBN
    • 0745608256
    • 0745608264
  • Country Code
    uk
  • Title Language Code
    eng
  • Text Language Code
    eng
  • Place of Publication
    Cambridge
  • Pages/Volumes
    viii, 245 p.
  • Size
    24 cm
  • Classification
  • Subject Headings
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