Music from the Tang Court : a primary study of the original, unpublished, Sino-Japanese manuscripts, together with a survey of relevant historical sources, both Chinese and Japanese, and a full critical commentary

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書誌事項

Music from the Tang Court : a primary study of the original, unpublished, Sino-Japanese manuscripts, together with a survey of relevant historical sources, both Chinese and Japanese, and a full critical commentary

edited by Laurence Picken, with Rembrandt F. Wolpert ... [et al.]

Cambridge University Press, [1981?]-

  • v. 2
  • v. 3
  • v. 4
  • v. 5
  • v. 6
  • v. 7
  • v. 7 : pbk

タイトル別名

唐朝傳来の音樂

大学図書館所蔵 件 / 全25件

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注記

Subtitle varies v. 6: a primary study of the original, unpublished, Sino-Japanese manuscripts, together with a survey of relevant historical sources, both Chinese and Japanese, with full critical commentary and detailed structural analysis of all items transcribed

Subtitle varies v. 7: some ancient connections explored

V. 6 & v. 7 edited by Laurence E.R. Picken and Noël J. Nickson

Size varies v. 6, v. 7: 26 cm

Includes bibliography (v. 6, p. 279-291, v. 7, p. 289-313)

内容説明・目次

巻冊次

v. 3 ISBN 9780521278386

内容説明

During the two centuries before 841, the Japanese Court borrowed a large amount of secular entertainment music from China, chiefly music of the Sui and Tang Courts. This music, known as 'Tang Music' is preserved in manuscripts written between the eighth and thirteenth centuries and to be seen today in the library of the Imperial Palace in Tokyo and in other Japanese libraries. With Fascicle 3 the series will begin publication of smaller suites and pieces, together representative of the 'middle-sized pieces' and 'small pieces' (chukyoku and shokyoku) of the threefold classification, in which the daikyoku are the largest suites. O-dai hajin-raku from a reputedly eleventh-century manuscript: Kaicbu-fu, in parallel with the conflation discussed in Fascicle 2, together with single-stave, conflated, justified versions of Toraden and Shunno-den, and structural analyses of these two suites.

目次

  • Glossary
  • Abbreviations
  • 1. A Jade Tree's Rear-court blossoms
  • 2. The palace of Congratulations
  • 3. The Bird
  • 4. The eddying bowl
  • 5. The Emperor Destroys the Formations
  • 6. On Toraden 'The Whirl-Around' and Shunno-den 'The Singing of Spring Warblers'.
巻冊次

v. 4 ISBN 9780521318341

内容説明

During the two centuries before 841, the Japanese Court borrowed a large amount of secular entertainment music from China, chiefly music of the Sui and Tang Courts. This music, known as 'Tang Music' is preserved in manuscripts written between the eighth and thirteenth centuries and to be seen today in the library of the Imperial Palace in Tokyo and in other Japanese libraries. Fourteen items, from the second scroll of pieces belonging to the Ichikotsu-cho mode-key group (Mixolydian on D), are offered in this fourth fascicle of Music from the Tang Court. With the exception of two items, each consisting of Prelude and Broaching, all are single movements. The first piece, in two movements, is overtly linked with Sogdiana, the Central Asian State which exerted so great an influence on the entertainment-music of the Tang Court. That some of the Togaku repertory had its roots in popular music is plainly shown by the title of this piece: 'Sogdians Drinking Wine'.

目次

  • Glossary
  • Abbreviations
  • 1. Sogdians Drinking Wine
  • 2. Miss Ka's Piece
  • 3. The Northern Courtyard
  • 4. Responding to the Shao
  • 5. One time
  • 6. All gold
  • 7. Continuing Harmony
  • 8. River-Waters
  • 9. Bodhisattvas
  • 10. The Wine-Puppet
  • 11. The Wine is Clear
  • 12. Drinking Wine
  • 13. A Bevy of Beauties
  • 14. Martial Virtue
  • Appendices.
巻冊次

v. 2 ISBN 9780521318587

内容説明

During the two centuries before 841, the Japanese Court borrowed a large amount of secular entertainment music from China, chiefly music of the Sui and Tang Courts. This music, known as 'Tang Music' is preserved in manuscripts written between the eighth and thirteenth centuries and to be seen today in the library of the Imperial Palace in Tokyo and in other Japanese libraries. This second fascicle includes two further suites from the Ichikotsu-cho mode-key group, namely Toraden, which probably originated in the early eighth century, and Shunno-den, a ballet-suite believed to have its source in a late seventh-century piece in imitation of Cettia diphone cantans - a bush warbler with a nightingale-like song. In addition, and continuing the study of the first fascicle, a justified, conflated text of O-dai hajin-raku on a single stave will be included. In the light of this, a version for performance can be established.

目次

  • Glossary
  • Abbreviations
  • 1. The Whirl-Around
  • 2. The Singing of Spring Warblers
  • 3. O-dai hajin-raku
  • 4. Aspects of the suite-form in East Asia.
巻冊次

v. 5 ISBN 9780521347761

内容説明

From the oldest surviving Japanese manuscripts in tablature (ninth- fourteenth-centuries) the book provides transcripts into staff-notation of (largely) entertainment-music, played at banquets at the Chinese Court in the Tang period, borrowed by the Japanese not later than 841. The music has never been transcribed before and has not been heard for 800 years or more, so drastically has it been transformed in Japanese performance. The history of each piece of music, as given in Chinese and Japanese historical sources, is investigated. The music itself is subjected to formal analysis, revealing its structure, its modal dynamics, and the methods of composition. For much of the music, ballet-scores survive from the mid-thirteenth century, and it is hoped that these may be associated fascicles with the music as transcribed in future fascicles. Fascicle 5 offers one immense suite, the origins of which lie in sixth-century China: 'The King of the Grave-Mound' (Ryo-o), together with single-stave versions and analyses of upwards of twenty items from previous fascicles and a summary essay restating views on the nature of 'Tang Music' (Togaku).

目次

  • Abbreviations
  • Glossary of Signs
  • Introduction
  • Foreword to the First Kuchean Mode: Sadharita A Sada-cho bongen preserved in COGRTYF 24 Piece (at times regarded as a Suite): 'The King of Lanling'
  • Appendixes
  • Cumulative bibliography.
巻冊次

v. 7 : pbk ISBN 9780521543361

内容説明

The series of volumes of Music from the Tang Court considers a repertory of music at least 1400 years old. During the two centuries before 841 the Japanese Court borrowed a large amount of secular entertainment music from China. This 'Tang Music' (Togaku) survives in Japan in a substantial body of manuscripts, but is transformed in character in contemporary performance. This edition transcribes and comments on the music as it survives in its earliest sources. This process has revealed surprising evidence for ancient interconnections in Asian musics, and the essays in this seventh volume present aspects of this research to date. They provide evidence, for example, of music in a scale of four notes only from Bali and from Ancient China, as well as, most significantly, for the transportation from the Tang capital to Japan of 'several tens of scrolls of music in tablature'.

目次

  • Preface
  • Acknowledgements
  • 1. How the Togaku repertory was acquired by the Japanese
  • and the processes of 'acculturation' that followed its acquisition Laurence Picken
  • 2. In search of the music of pre-Nara Japan Laurence Picken, Noel Nickson and Okamoto Miyoko
  • 3. 'Old Music', 'New Music', and other classificatory terms in the musical vocabularies of Late Nara and Heian, Japan Laurence Picken
  • 4. Locational and functional names of notes in modal note-sets across Eurasia Laurence Picken and Noel Nickson
  • 5. Modal note-sets and related matters in Ancient China
  • in Ancient and Modern India and Persia
  • in Ancient Greece Laurence Picken
  • 6. The modal system of Togaku as a vestige of 28 mode-keys of the Tang inheritance: different modes with like finals
  • like modes with different finals Laurence Picken
  • 7. Parallels in the organization of music in time in Indonesia, Ancient India and Ancient China Laurence Picken, Nicholas Gray and Robert Walker
  • Envoi
  • Cumulative bibliography.
巻冊次

v. 6 ISBN 9780521621007

内容説明

This volume brings to an end the transcription and historical description of items from the Court Entertainment Music of the Tang found in two collections of zither and lute scores from the end of the twelfth century. They are from two mode-key groups: twenty-three in the mode-key Ichikotsu-cho and eight in Sada-cho. Of particular interest is a tune that fits a birthplace-ode by the Taizong Emperor, composed in 632, and also music for a collective spear-throwing exercise and a piece perhaps imitating calls between sexual partners in a flock of geese. Important appendices discuss stylistic differences between music of the Tang and imitative Japanese compositions; relationships between Tang compositions with noble and military associations; and evidence of inter-relatedness between movements in suites from the Tang.

目次

  • Preface
  • Acknowledgements
  • Abbreviations
  • Glossary of signs
  • 25. Suite: 'A New Prince of Luoling'
  • 26. Piece: '[Western] Liangzhou'
  • 27. Piece: 'Spear-Play'
  • 28. Suite: 'Bird(s) of the Qin River'
  • 29. Piece: 'Introit to 'Perfect Virtue''
  • 30. Piece: 'Introit to 'Peace-Music''
  • 31. Piece: 'Ten Devas'
  • Appendices
  • Cumulative bibliography.
巻冊次

v. 7 ISBN 9780521780841

内容説明

The series of volumes of Music from the Tang Court considers a repertory of music at least 1400 years old. During the two centuries before 841 the Japanese Court borrowed a large amount of secular entertainment music from China. This 'Tang Music' (Togaku) survives in Japan in a substantial body of manuscripts, but is transformed in character in contemporary performance. This edition transcribes and comments on the music as it survives in its earliest sources. This process has revealed surprising evidence for ancient interconnections in Asian musics, and the essays in this seventh volume present aspects of this research to date. They provide evidence, for example, of music in a scale of four notes only from Bali and from Ancient China, as well as, most significantly, for the transportation from the Tang capital to Japan of 'several tens of scrolls of music in tablature'.

目次

  • Preface
  • Acknowledgements
  • 1. How the Togaku repertory was acquired by the Japanese
  • and the processes of 'acculturation' that followed its acquisition Laurence Picken
  • 2. In search of the music of pre-Nara Japan Laurence Picken, Noel Nickson and Okamoto Miyoko
  • 3. 'Old Music', 'New Music', and other classificatory terms in the musical vocabularies of Late Nara and Heian, Japan Laurence Picken
  • 4. Locational and functional names of notes in modal note-sets across Eurasia Laurence Picken and Noel Nickson
  • 5. Modal note-sets and related matters in Ancient China
  • in Ancient and Modern India and Persia
  • in Ancient Greece Laurence Picken
  • 6. The modal system of Togaku as a vestige of 28 mode-keys of the Tang inheritance: different modes with like finals
  • like modes with different finals Laurence Picken
  • 7. Parallels in the organization of music in time in Indonesia, Ancient India and Ancient China Laurence Picken, Nicholas Gray and Robert Walker
  • Envoi
  • Cumulative bibliography.

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