Musica Asiatica
著者
書誌事項
Musica Asiatica
Cambridge University Press, 1984-1991
- 4
- 4 : pbk
- 5
- 5 : pbk
- 6
- 6 : pbk
大学図書館所蔵 全14件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
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4A762.2||M620||4WA;9582278358,
5A762.2||M620||5WA;9582278463, 6A762.2||M620||6WA;9582278544
注記
Editor: 5. Richard Widdess
Editor: 6. Allan Marett
Includes bibliographical references
内容説明・目次
- 巻冊次
-
6 : pbk ISBN 9780521072182
内容説明
This is the sixth volume in a series of books devoted to the history, documentation and analysis of music in Asia. Four essays are dedicated to documents from the past: fifth-century Korean tomb paintings; tenth-century Chinese scores for lute; eighth-century Japanese documents; early Chinese sutras on the perception of sound. The remainder concern contemporary documents: the notations of the Japanese end-blown flute (shakuhachi) and lute (biwa) and their relationship to performance; acoustical analysis of contemporary shakuhachi. The focus on musical documents, whether ancient or modern, provides a unifying thread which renders this volume unique in the ethnomusicological literature on East Asian music.
目次
- Preface
- Koguryo instruments in Tomb No.1 at Ch'ang-ch'uan, Manchuria Song Bang-Song
- Shakuhachi honkyoku notation: written sources in an oral tradition Riley Lee
- Single sound: basic structure of the music of the Japanese flute shakuhachi Andreas Gutzwiller and Gerald Bennett
- A report on Chinese research into the Dunhuang music manuscripts Chen Yingshi
- Translation Coralie Rockwell
- Where did Toragaku come from? David Waterhouse
- Musico-religious implications of some Buddhist views of sound and music in the Surangama Sutra Gregg W. Howard
- Composition and improvisation in Satsuma biwa Hugh De Ferranti
- Glossary of Chinese, Japanese, and Korean terms.
- 巻冊次
-
5 : pbk ISBN 9780521116619
内容説明
This is the fifth volume in a series of books devoted to the history, documentation and analysis of music in Asia. The five essays each have a different focus ranging from historical change in the Turkish classical repertoire, speech-tones and vocal melody in Thai court song, ritual theatre music in ancient India, pieces for biwa in calendrically correct tunings and an investigation of the sources for Japanese flute scores from the fourteenth century.
目次
- 1. Aspects of historical change in the Turkish classical repertoire O. Wright
- 2. The relationship between speech-tones and vocal melody in Thai court song Y. Tanese-Ito
- 3. Form in the ritual theatre music of ancient India L. Rowell
- 4. Pieces for biwa in calendrically correct tunings from a manuscript in the Heian Museum, Kyoto E. J. Markahm, L. E. R. Picken and R. F. Wolpert
- 5. An investigation of sources for Chu Oga ryuteki yoroku-fu, a Japanese flute score of the fourteenth century A. J. Marett.
- 巻冊次
-
4 : pbk ISBN 9780521278379
内容説明
In this fourth volume of studies in the historical musicology and organology of Asia, Jonathan Condit completes his survey of Korean scores in mensural notation, and Roger Blench examines the morphology and distribution of sub-Saharan musical instruments of North African, Middle Eastern, and Asian origin.
目次
- 1. Korean scores in the modified fifteenth-century mensural notation J. Condit
- 2. The making of a khaen: the free-reed mouth-organ of North East Thailand L. E. R. Picken, C. J. Adkins and T. F. Page
- 3. The morphology and distribution of sub-Saharan musical instruments of North-African, Middle-Eastern, and Asian, origin R. Blench
- 4. Anatolian drum and shawm come to a Greek-Smuggler's village M. Forescue and L. E. R. Picken
- 5. Music for a lion-dance of the song Dynasty L. E. R. Picken.
- 巻冊次
-
5 ISBN 9780521340717
内容説明
This is the fifth volume in a series of books devoted to the history, documentation and analysis of music in Asia. The five essays each have a different focus ranging from historical change in the Turkish classical repertoire, speech-tones and vocal melody in Thai court song, ritual theatre music in ancient India, pieces for biwa in calendrically correct tunings and an investigation of the sources for Japanese flute scores from the fourteenth century.
目次
- 1. Aspects of historical change in the Turkish classical repertoire O. Wright
- 2. The relationship between speech-tones and vocal melody in Thai court song Y. Tanese-Ito
- 3. Form in the ritual theatre music of ancient India L. Rowell
- 4. Pieces for biwa in calendrically correct tunings from a manuscript in the Heian Museum, Kyoto E. J. Markahm, L. E. R. Picken and R. F. Wolpert
- 5. An investigation of sources for Chu Oga ryuteki yoroku-fu, a Japanese flute score of the fourteenth century A. J. Marett.
- 巻冊次
-
6 ISBN 9780521390507
内容説明
This is the sixth volume in a series of books devoted to the history, documentation and analysis of music in Asia. Four essays are dedicated to documents from the past: fifth-century Korean tomb paintings; tenth-century Chinese scores for lute; eighth-century Japanese documents; early Chinese sutras on the perception of sound. The remainder concern contemporary documents: the notations of the Japanese end-blown flute (shakuhachi) and lute (biwa) and their relationship to performance; acoustical analysis of contemporary shakuhachi. The focus on musical documents, whether ancient or modern, provides a unifying thread which renders this volume unique in the ethnomusicological literature on East Asian music.
目次
- Preface
- Koguryo instruments in Tomb No.1 at Ch'ang-ch'uan, Manchuria Song Bang-Song
- Shakuhachi honkyoku notation: written sources in an oral tradition Riley Lee
- Single sound: basic structure of the music of the Japanese flute shakuhachi Andreas Gutzwiller and Gerald Bennett
- A report on Chinese research into the Dunhuang music manuscripts Chen Yingshi
- Translation Coralie Rockwell
- Where did Toragaku come from? David Waterhouse
- Musico-religious implications of some Buddhist views of sound and music in the Surangama Sutra Gregg W. Howard
- Composition and improvisation in Satsuma biwa Hugh De Ferranti
- Glossary of Chinese, Japanese, and Korean terms.
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