Nineteenth-century Southern literature
著者
書誌事項
Nineteenth-century Southern literature
(New perspectives on the South)
University Press of Kentucky, c1980
大学図書館所蔵 全34件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Bibliography: p. [119]-123
Includes index
内容説明・目次
内容説明
Few inhabitants of the South in 1800 thought of it as a "region" or of themselves as "southerners." In time, the need to defend the entire southern way of life became obsessive for many writers, too often precluding efforts at originality in form or style. Especially after the publication of Uncle Tom's Cabin, southern identity and southern nationalism emerged as the grand themes, and literature became subservient to regional interests. The devastation of the Civil War and the collapse of the Confederacy, instead of pointing southern writers in new directions, only intensified their preoccupation with a now-dead past.
The popular genres of the time -- historical romance and "local color" writing -- became tools to voice this preoccupation and have been important influences on America's view of the South and on American literature in general. The myth of the idyllic plantation South has had an extraordinary pervasiveness in the American consciousness. J.V. Ridgely speculates on the ways in which this tarnished but durable myth helped to produce the powerful Southern Renascence of the twentieth century in this concise survey of the literature of America's most distinctive region during a crucial formative period.
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