Courtly literature : culture and context : selected papers from the 5th Triennial Congress of the International Courtly Literature Society, Dalfsen, the Netherlands, 9-16 August, 1986

書誌事項

Courtly literature : culture and context : selected papers from the 5th Triennial Congress of the International Courtly Literature Society, Dalfsen, the Netherlands, 9-16 August, 1986

edited by Keith Busby and Erik Kooper

(Utrecht publications in general and comparative literature, v. 25)

J. Benjamins Pub. Co., 1990

大学図書館所蔵 件 / 17

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注記

Includes bibliographical references and indexes

内容説明・目次

内容説明

The International Courtly Literature Society aims to promote the study of courtly literature, primarily, but not exclusively, of medieval Europe. The 45 articles selected here from the papers presented at the 5th Congress center around three themes: rhetoric and courtly literature, the audience of courtly literature, and courtly literature in a comparative perspective. There are contributions by specialists in Old French Literature on such diverse topics as Adenet le Roi, Rene d'Anjou, Le Bel Inconnu, and 15th-century prose chronicles; by Provencalists on the eternal topic of courtly love; by Anglicists on Chaucer, Henryson, Malory, and others; by Germanists on Heinrich von Morungen, der Schwanritter, and Walther von der Vogelweide; by Hispanists on La Celestina and the Historia Troiana; there are also articles on Italian, Dutch, and Scandinavian literature, and two relating to Persian and Arabic courtly texts.

目次

  • 1. Addresses of Editors and Authors
  • 2. Preface
  • 3. The Bottom Line of Love: A Semiotic Analysis of the Lover's Position (by Akehurst, F.R.P.)
  • 4. L'effet autobiographique dans la tradition: le Livre du Cuer d'Amours Espris de Rene d'Anjou (by Blanchard, Joel)
  • 5. The Elaboration of Female Narrative Functions in Erec et Enide (by Bossy, Michel-Andre)
  • 6. Guillaume de Machaut's Voir Dit: The Ideology of Form (by Boulton, Maureen)
  • 7. Un 'Art d'Amour' inedit de la fin du moyen-age: son cadre et ses metaphores (by Brook, Leslie C.)
  • 8. Contre la fin'amor ? Contre la femme? une relecture de textes du Moyen Age (by Calin, William)
  • 9. La double reconnaissance du Castia Gilos de Raimon Vidal de Besalu: reception de la nouvelle provencale (by Caluwe, Jean-Michel)
  • 10. Courtoisie et amour courtois dans le Cleomades d'Adenet le Roi (by Colliot, Regine)
  • 11. Generic Clash, Reader Response, and the Poetics of the Non-Ending in Le Bel Inconnu (by de Looze, Laurence)
  • 12. Sexual Initiation in the Woman's-Voice Court Lyric (by Deyermond, Alan)
  • 13. The Magnanimous Sex-Object: Richard the Lionheart in the Medieval German Lyric (by Edwards, Cyril)
  • 14. Author and Audience in the Roman de Troie (by Eley, Penny)
  • 15. Le vocabulaire courtois dans les Carmina Burana (by Gerard-Zai, Marie-Claire)
  • 16. Trojaner und Griechen auf der Pyrenaenhalbinsel zwischen Mittelalter und den Anfangen des Humanismus: die galizische Cronica Troyana und Juan de Menas Yliada en romance (by Gier, Albert)
  • 17. Le Roi Qui Ne Ment and Aristocratic Courtship (by Firth Green, Richard)
  • 18. The Court of Alfonso X in Words and Pictures: The Cantigas (by Greenia, George D.)
  • 19. L'intertextualite interrompue par l'histoire: le cas des Voeux du Heron (by Grigsby, John L.)
  • 20. Effects of Clair-Obscur in Le Bel Inconnu (by Grimbert, Joan Tasker)
  • 21. Chaucer's Shipman's Tale and Boccaccio's Decameron, VIII, i: Retelling a Story (by Hefferman, Carol F.)
  • 22. L'emploi des formules d'introduction et de transition stereotypees dans le Tristano Riccardiano (by Heijkant, Marie-Jose)
  • 23. Enchanted Ground: The Feminine Subtext in Malory (by Heng, Geraldine)
  • 24. The English Partonope of Blois as Exemplum (by Ihle, Sandra)
  • 25. Whatever happened to Criseyde? Henryson's Testament of Cresseid (by Johnson, Lesley)
  • 26. L'esprit courtois et le Roman de la Violette (by Keller, Hans-Erich)
  • 27. Selection and Presentation as Distinctive Characteristics of Mediaeval Arabic Courtly Prose Literature (by Kilpatrick, Hilary)
  • 28. King Arthur in Germany: A Once and Future Tradition (by Kimpel, Richard W.)
  • 29. Tristams saga ok Isondar - une version christianisee de la branche dite courtoise du 'Tristan' (by Kjoer, Jonna)
  • 30. Dante as Reader and Critic of Courtly Literature (by Kleinhenz, Christopher)
  • 31. Misogyny, Manipulation, and the Female Reader in Hue de Rotelande's Ipomedon (by Krueger, Roberta L.)
  • 32. Loneliness and Obsession in the Songs of Heinrich von Morungen (by Margetts, John)
  • 33. Mutual Love as a Medieval Ideal (by McCash, June Hall)
  • 34. Medieval Persian Panegyric: Ethical Values and Rhetorical Strategies (by Meisami, Julia Scott)
  • 35. Les gouts litteraires d'un bibliophile de la cour de Bourgogne (by Naber, Antoinette)
  • 36. Le peche selon Yseut dans le Tristan de Beroul (by Ollier, Marie-Louise)
  • 37. The Rhetoric of Adaptation: The Middle Dutch and Middle High German Versions of Floire et Blancheflor (by Pratt, Karen)
  • 38. The Jongleur, the Copyist, and the Printer: The Tradition of Chaucer's Wordes unto Adam, His Own Scriveyn (by Scattergood, John)
  • 39. French Songs in Aragon: The Place of Origin of the Chansonnier Chantilly, Musee Conde 564 (by Scully, Terence)
  • 40. Celestina's Courtly Lyrics and James Mabbe's English Translations (by Severin, Dorothy S.)
  • 41. Le public de l'Histoire des seigneurs de Gavre (by Stuip, Rene)
  • 42. The Lyric Insertion: Towards a Functional Model (by Taylor, Jane H.M.)
  • 43. Does Might Make Right? the Schwanritter by Konrad von Wurzburg (by Van D'Elden, Stephanie Cain)
  • 44. Between Court Literature and Civic Rhetoric. Buonaccorso da Montemagno's Controversia de nobilitate (by Vanderjagt, A.J.)
  • 45. The Romance of the Rose and I: Narrative Perspective in the Roman de la Rose and its Two Middle Dutch Adaptations (by van der Poel, Dieuwke)
  • 46. Entre trouveres et Minnesanger: la poesie de Jean Ier, duc de Brabant (by Willaert, Frank)
  • 47. Jean de Werchin, Seneschal de Hainaut: Reader and Writer of Courtly Literature (by Willard, Charity Cannon)

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