Television drama : agency, audience, and myth
著者
書誌事項
Television drama : agency, audience, and myth
（Studies in culture and communication）
Routledge, 1990
- : pbk.
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注記
Bibliography: p. [308]-315
Includes indexes
内容説明・目次
- 巻冊次
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ISBN 9780415016483
内容説明
This study explores the `ecology of knowledge’ of urban Britain in the Victorian period and seeks to examine the way in which Victorians comprehended the nature of their urban society, through an exploration of the history of Victorian Manchester, and two specific case studies on the fiction of Elizabeth Gaskell and the campaigns for educational extension which emerged out of the city. It argues that crucial to the Victorians' approaches was the `visiting mode’ as particular discursive formation, including its institutional foundations, its characteristic modes and assumptions, and the texts which exemplify it. Recognition of the importance of the visiting mode, it is argued, offers a fundamental challenge to established Foucauldian interpretations of nineteenth century society and culture, and provides an important corrective to recent scholarship of nineteenth century technologies of knowing.
目次
List of figures
Acknowledgements
Abbreviations
Introduction: the `statistical moment’ and its limits
The Visiting Mode
The Cartographic Imaginary
Gaskell’s Manchester: the Visiting Mode in Fiction
The Case of Educational Reform
Conclusion
Bibliography
Index
- 巻冊次
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: pbk. ISBN 9780415016490
内容説明
First published in 1990. This book is the first specifically about television drama from within a cultural studies perspective and as such examines the active agency of both viewers and media practitioners. The author examines dominant and counter-myths as they circulate in popular culture, discussing soap opera, science fiction, sitcom, cop series and 'authored' drama among its examples. It works within an ethnographic framework, he looks in detail at both the production and reception of TV drama. The overall aim of the book is to examine television representation as part of an historically positioned and differentiated social formation in which knowledgeable actors work in every institutional arena (whether media industry, academia or domestic household) to make their meanings.
目次
Introduction: theories of myth, agency and audience Part One Popular TV drama: ideology and myth 1 'Soft' news: the space of TV drama 2 Genre and myth: 'a half-formed picture' Part Two Authored drama: agency as 'strategic penetration' 3 'Reperceiving the world': making history 4 'Serious drama': the dangerous mesh of empathy 5 TV drama as social event: text and inter-text 6 Authored drama: 'not just naturalism' 7 Industry/performance: drama as 'strategic penetration' Part Three Reading drama: audience use, exchange and play 8 'Use and exchange': delivering audiences 9 Sub-culture and reading formation: regimes of watching Conclusion: comedies of 'myth' and 'resistance' 10 Comic order and disorder: residual and emergent ultures 11 'Marauding behaviour': parody, carnival and the grotesque
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