The Munich secession : art and artists in turn-of-the-century Munich

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The Munich secession : art and artists in turn-of-the-century Munich

Maria Makela

Princeton University Press, c1990

  • alk. paper
  • : pbk

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注記

Revision of thesis (Ph. D.)--Stanford University, 1987

Includes bibliographical references

内容説明・目次

巻冊次

: pbk ISBN 9780691002873

内容説明

In April 1892 the first Art Secession in the German-speaking countries came into being in Munich, Central Europe's undisputed capital of the visual arts. Featuring the work of German painters, sculptors and designers such as Fritz von Uhde, Wilhelm Trubner, Max Liebermann, Adolf Holzel, Franz von Stuck and Richard Riemerschmid, as well as that of vanguard artists from France, Scandinavia, Russia, Italy, the UK and the USA, the Munich Secession was a progressive force in the German art world for nearly a decade, its exhibitions regularly attended and praised by Paul Klee, Wassily Kandinsky and other modernists at the outset of their careers in the 1890s. Maria Makela explores both the aesthetic and institutional facets of this seminal exhibition society.
巻冊次

alk. paper ISBN 9780691039824

内容説明

In April 1892 the first art Secession in the German-speaking countries came into being in Munich, Central Europe's undisputed capital of the visual arts. Featuring the work of German painters, sculptors, and designers, as well as that of vanguard artists from around the world, the Munich Secession was a progressive force in the German art world for nearly a decade, its exhibitions regularly attended and praised by Paul Klee, Wassily Kandinsky, and other modernists at the outset of their careers. "Those artists who were not included, or who thought themselves inadequately represented in the large official exhibitions held in the major German cities, had economic as well as aesthetic reasons for creating new outlets for their work.... The first of these Secessions [is] the subject of an interesting and well-researched study by Maria Makela."--James Joll, The New York Review of Books "Makela combines aesthetic analysis with institutional history, and does so very well. She has written the first thoroughly documented account of the Munich Secession in any language." --Peter Paret, The Art Bulletin "...a carefully documented chronicle of the Munich Secession...an indispensable guide. It is a pioneering study that manages to be solid yet provocative..."--Brooks Adams, Art in America

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