In search of self in India and Japan : toward a cross-cultural psychology
著者
書誌事項
In search of self in India and Japan : toward a cross-cultural psychology
(Princeton paperbacks)
Princeton University Press, c1988
大学図書館所蔵 全35件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Bibliography: p. 349-368
Includes index
内容説明・目次
内容説明
Drawing on work with Indian and Japanese patients, a prominent American psychoanalyst explores inner worlds that are markedly different from the Western psyche. A series of fascinating case studies illustrates Alan Roland's argument: the "familial self," rooted in the subtle emotional hierarchical relationships of the family and group, predominates in Indian and Japanese psyches and contrasts strongly with the Western "individualized self." In perceptive and sympathetic terms Roland describes the emotional problems that occur when Indians and Japanese encounter Western culture and the resulting successful integration of new patterns that he calls the "expanding self." Of particular interest are descriptions of the special problems of women in changing society and of the paradoxical relationship of the "spiritual self" of Indians and Japanese to the "familial self." Also described is Roland's own response to the broadening of his emotional and intellectual horizons as he talked to patients and supervised therapists in India and Japan.
"As we were coming in for a landing to Bombay," he writes, "the plane banked so sharply that when I supposedly looked down all I could see were the stars, while if I looked up, there were the lights of the city." This is the "world turned upside down" that he describes so eloquently in this book. What he has learned will fascinate those who wish to deepen their understanding of a different way of being.
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