Their place on the stage : Black women playwrights in America
著者
書誌事項
Their place on the stage : Black women playwrights in America
(Contributions in Afro-American and African studies, no. 117)
Greenwood Press, 1988
大学図書館所蔵 全20件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Bibliography: p. [153]-158
Includes index
内容説明・目次
内容説明
This study succinctly views some works of nine black women playwrights, who flourished between 1916 and 1935, and explores--in some detail--some characteristics of selected plays of Alice Childress, Lorraine Hansberry, and Ntozake Shange. . . . This is a well-conceived, well-researched, well-written study. Especially useful are Brown-Guillory's careful definition of terms and her clearly pointing out the directions in which she is heading. American Literature
Brown-Guillory's study is a reference work important to anyone studying black women playwrights, or black drama. Her ideas and terminology describing these playwrights are well-reasoned, and her analysis of symbolism and its place in Western and African traditions is well-supported. Black American Literature Forum
This important contribution to African American and women's studies analyzes the dramatic works of America's black women playwrights. The plays of such writers as Alice Childress, Lorraine Hansberry, and Ntozake Shange are examined in light of the tradition from which they emerged. Brown-Guillory begins by tracing the development of African American theatre with its roots in African theatrics, then moves on to discuss women playwrights of the Harlem Renaissance such as Angelina Weld Grimke, Alice Dunbar-Nelson, Georgia Douglas Johnson, May Miller, Mary Burrill, Myrtle Smith Livingston, Ruth Gaines-Shelton, Eulalie Spence, and Marita honner. Though rarely anthologized and infrequently made the subject of critical interpretation, asserts the author, the plays of these early twentieth-century black women offer much to the American theatre in the way of content, tonal and structural form, characterization, as well as dialogue, and were instrumental in paving a way for black playwrights from the 1950s to the present.
目次
Foreword by Margaret Walker Alexander
Black Theater Tradition and Women Playwrights of the Harlem Renaissance
Alice Childress, Lorraine Hansberry, Ntozake Shange: Carving a Place for Themselves on the American Stage
Tonal Form: Symbols as Shapers of "Theater of Struggle"
Structural Form: African American Initiation and Survival Rituals
Mirroring the Dark and Beautiful Warriors: Images of Blacks
The African Continuum: The Progeny in the New World
Afterword by Gloria T. Hull
Bibliography
Index
「Nielsen BookData」 より