Molière and plurality : decomposition of the classicist self
著者
書誌事項
Molière and plurality : decomposition of the classicist self
（Sociocriticism : literature, society and history, vol. 1）
P. Lang, c1989
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注記
Bibliography: p. [251]-265
内容説明・目次
内容説明
Jacques Lacan's comments on Le Misanthrope focus on the inauthenticity of any unified discourse (173-75), which is also Moliere's concern in that play, though he used different terms. Moliere does not subscribe to the myth of the classicist subject, a subject characterized by a theoretically universal - and universalizable - ability to produce and consume true, impersonal language. The ineluctability of pluralism within the individual, as well as among people and sub-cultures, is a fundamental theme of Molieresque comedy, and is particularly important in the plays studied here. The critical study of discourses which has flourished in recent criticism and theory has not only a legitimate object of study, but also a precursor and ally in Moliere.
目次
Contents: Toward a Therapeutic Culture: Universal Reason, Synthetic Language, Centralized Power - Decomposition of Selves, Techniques, and Texts - The Classicist Subject as Ideological Construct - Fear, Desire, and Intertextuality in Le Misanthrope - Deconstruction of Transcendental Myth in Tartuffe - Reason, Power and Hallucination in Les Femmes Savantes.
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