The function of song in contemporary British drama
著者
書誌事項
The function of song in contemporary British drama
University of Delaware Press, c1990
大学図書館所蔵 全1件
注記
Includes bibliographical references
内容説明・目次
内容説明
This comprehensive study formulates an original theory that dramatic song must be perceived as a separate genre situated between poetry, music, and theater. It focuses on John Arden, Margaretta D'Arcy, Edward Bond, Peter Barnes, John Osborne, Peter Nichols, Harold Pinter, Tom Stoppard, Peter Shaffer, and John McGrath.
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