The function of song in contemporary British drama
Author(s)
Bibliographic Information
The function of song in contemporary British drama
University of Delaware Press, c1990
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Includes bibliographical references
Description and Table of Contents
Description
This comprehensive study formulates an original theory that dramatic song must be perceived as a separate genre situated between poetry, music, and theater. It focuses on John Arden, Margaretta D'Arcy, Edward Bond, Peter Barnes, John Osborne, Peter Nichols, Harold Pinter, Tom Stoppard, Peter Shaffer, and John McGrath.
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