Women enter the wilderness : male bonding and the American novel of the 1980s
著者
書誌事項
Women enter the wilderness : male bonding and the American novel of the 1980s
University of South Carolina Press, c1991
- : hardback
- : pbk
大学図書館所蔵 全20件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 132-134) and index
内容説明・目次
内容説明
The canon of American literature - especially the American novel - has long been defined by white male writers. From Cooper, Melville and Twain to Crane, Hemingway, and Dickey, the reciprocal relationship between literature and culture has both reflected and determined the socially acceptable roles of males and females. Women scholars and writers have long pointed out that these roles are often different in novels written by female authors. This book examines how gender relationships in contemporary American novels by white males have changed even though these contemporary male writers still acknowledge the models established by earlier male novelists. Greiner maintains that these models, now a paradigm for American fiction, argue that male bonding has necessitated crossing the border between society and the wilderness to plung into the freedom of adventure and to escape women and the inhibitions of society that women normally represent. The important difference in contemporary fiction is that while males still bond and cross the border to enter the wilderness, they now either take women with them or find them already there.
The author examines not only the traditional novelists who first established the paradigm but also its critics, Fiedler, Lewis and Lawrence. He then considers recent arguments by feminist scholars and anthropologists who suggest that cultural changes have influenced contemporary novels written by white males. Finally, he discusses two contemporary novels written by female authors in the context of the anthropological question of whether females bond and whether the bond holds when females cross the border.
「Nielsen BookData」 より