The alienated reader : women and romantic literature in the twentieth century
著者
書誌事項
The alienated reader : women and romantic literature in the twentieth century
Harvester Wheatsheaf, 1991
- : pbk
大学図書館所蔵 全12件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Bibliography: p. 221-226
Includes index
内容説明・目次
内容説明
This book is a study of the production and consumption of popular romance. It sets out to challenge the existing prejudices about "escapist literature" by exploring one of its most stigmatized forms: the fiction created by popular women writers. At the same time, it questions prevailing assumptions about the popular romance genre as being nothing more than a mode of collusion with patriarchy. Instead, the genre is assessed in terms of its historical origins and its wider ideological structures, or political unconscious. Drawing on a content analysis of melodramatic romance of 1930s magazines, a feminist materialist approach to the works of Catherine Cookson, and an asssessment of recent bestselling romances of the 1970s and 1980s, Bridget Fowler suggests that the romance can be seen as the dream-book of the family, encoding in its more formulaic fictions, the symbolic annihilation of industrial capitalism through rural retreat or, in its newer versions, images of women as "idols of production", combining fulfilled love and entrepreneurial success.
目次
- Part 1 Cultural production: understanding the romance - the origin and structure of a major mass cultural genre
- cultural theory and the popular romance - exchange-value, fiction and current cultural implications, use-value and the popular romance - theoretical perspectives. Part 2 20th-century romance texts: melodrama and magazines - cheap fiction in the 1930s
- family magazine
- methods of studying popular genres - current analysis and the myth of pure objectivity
- Catherine Cookson - realism and Utopia
- genres of the popular romance - 1970s and the 1980s. Part 3 Cultural reception: cultural consumption
- theoretical context - Bourdieu's theory of culture
- the Scottish study
- reading, pleasures and belief
- radicalism and feminism
- decoding a romance and a realist text.
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