Interpreting cultural symbols : Saint Anne in late medieval society
著者
書誌事項
Interpreting cultural symbols : Saint Anne in late medieval society
University of Georgia Press, c1990
- pbk
大学図書館所蔵 全7件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references
内容説明・目次
内容説明
A collection of essays providing an interpretive study of Saint Anne - the apocryphal mother of the Virgin - in the late medieval culture. "Interpreting Cultural Symbols" examines the different images of Saint Anne from a variety of sources including folklore, drama, ritual, the visual arts, local and political history, hagiographic narrative and theology. In their introduction, the editors trace the historical developments of the Saint Anne legend and offer a methodology for reading cultural symbols that challenges assumptions of discipline-bound scholarship. The essential metaphors of devotion to Saint Anne, as several essays show, focus on family and motherhood. Francesca Sautman traces the legend of Anne a s a child abandoned in an eagle's nest and raised by a deer. Gail Mc Murray Gibson examines two poems in which the invocation of Saint Anne reflects as a celebration of middle-class values and family ties. Two essays examine the political impact of Saint Anne. Roger J.Crum and David G.Wilkins discuss the iconography of Anne as a symbol of the Florentine revolt of 1343. Tracing the dispute over Saint Anne during the reformation in France, Myra D.Orth examines the unexpected political overtones of Louise of Savoy's devotion to Anne.
These essays challenge not only divisions between women's studies and traditional disciplinary study but also divisions between popular and elite cultures, folklore and theology, politics and religion. Whether engaging class, gender, or institutional ideology, "Interpreting Cultural Symbols" seeks to remove hagiographic materials from a sacrosanct position in medieval studies and to embed them within wider social discourses, both medieval and modern.
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