History and the novel
Author(s)
Bibliographic Information
History and the novel
(Essays and studies, 1991)
D.S. Brewer, 1991
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Note
Includes bibliographical references
Description and Table of Contents
Description
This volume is devoted to examples of the ways fiction employs historicl references. The first paper looks at reference to paintings across a wide range of novels; subsequent contributions focus more specifically on Waverley, Little Dorrit, Hardy's last novels, Ulysses, Orlando and Cousin Bette. Boydell & Brewer are pleased to announce that they will be publishing for the English Association the annual volume Essays and Studies, with effect from 1991.The seven essays in this collection look at different ways in which novelists may (or may not) use historical reference in order to achieve their aims.LEONEE ORMOND (King's College, London)
Painting and the PastCLAIRE LAMONT (Newcastle)
Waverley and the Battle of CullodenANGUS EASSON (Salford)
A Novel Scarcely Historical? Time and History in Dickens's Little DorritTERENCE WRIGHT (Newcastle)
Space, Time and Paradox: The Sense of History in Hardy's Last NovelsANDREW GIBSON (Royal Holloway & Bedford New College, London)
`History, All That': RevivalHistoriography and Literary Strategy in the `Cyclops' episode in UlyssesAVRIL HORNER (Salford)
Virginia Woolf, History andthe Metaphors of OrlandoSCOTT McCRACKEN (Salford)
Cousin Bette: Balzac and the Historiography of Difference
Table of Contents
- Painting and the past, Leonee Ormond
- "Waverley" and the Battle of Culloden, Claire Lamont
- a novel scarcely historical? - time and history in Dickens' "Little Dorrit", Angus Easson
- space, time and paradox - the sense of history in Hardy's last novels, Terence Wright
- "history, all that" - revival historiography and literary strategy in the Cyclops episode in "Ulysses", Andrew Gibson
- Virginia Woolf, history and the metaphors of "Orlando", Avril Horner
- "Cousin Bette" - Balzac and the historiography of difference, Scott McCracken.
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