Texto y espectaculo : selected proceedings of the Symposium on Spanish Golden Age Theater : March 11, 12, 13, 1987, the University of Texas at El Paso
Author(s)
Bibliographic Information
Texto y espectaculo : selected proceedings of the Symposium on Spanish Golden Age Theater : March 11, 12, 13, 1987, the University of Texas at El Paso
University Press of America, c1989
Available at 4 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references
Description and Table of Contents
Description
Originally presented at the 1987 meeting of the Symposium on Golden Age Theater, these contributions include: "The Role of Fortuna and Three Levels of Meaning in the Auto del Rey Assuero cuando ahorco a Aman," by Nancy Mayberry; "Magia y hermetismo en La cueva de Salamanca," by Ysla Campbell; "Symbols, Referents, and Theatrical Semantics: The Use of Hands in Comedia," by Matthew Stroud; "La representacion del sueno y de la imaginacion en el teatro historico-legendario de Lope de Vega," by Teresa J. Kirschner; "Peribanez and Economics," by William R. Blue; "Don Alvaro de Luna and the Unity of Lope de Vega's Caballero de Olmedo," by Kenneth A. Stackhouse; "Toward a Definition of Tirsian Tragedy," by Henry W. Sullivan; "Alarcon's Ganar amigos: The King, the Privado, and the Law," by Willard King; "El 'infame rito,' del honor: War in Calderon's A secreto agravio, secreta venganza," by Carol Bingham Kirby; "Ellipsis in Calderon's La vida es sueno: The Lack of Feminine Perspectives," by Ester W. Nelson; "The Skeptical Premises of Calderon's En esta vida todo es verdad y todo mentira," by Barbara Mujica; "Calderonian Honor and the Commedia dell'Arte: Il Medico di Suo Honore," by Nancy L. D'Antuono; "The Authorship and Interpretation of the Second Part of La hija del aire," by Michael McGaha; "The Harmony/Dissonance of Calderon's El monstruo de los jardines," by Thomas A. O'Connor. Co-published with the Golden Age Spanish Drama Symposium.
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