Images of postmodern society : social theory and contemporary cinema

書誌事項

Images of postmodern society : social theory and contemporary cinema

Norman K. Denzin

(Theory, culture and society)

Sage, 1991

  • : hbk
  • : pbk

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注記

Bibliography: p. [158]-174

Includes index

内容説明・目次

内容説明

By using a series of studies of contemporary mainstream Hollywood movies - Blue Velvet, Wall Street, Crimes and Misdemeanors, When Harry Met Sally, Sex Lies and Videotape, Do the Right Thing - Norman Denzin explores the tension between ideas of the postmodern, and traditional ways of analyzing society. The discussion moves between two forms of text: social theory and cinematic representations of contemporary life. Denzin analyzes the ideas of society embedded in poststructuralism, postmodernism, feminism, cultural studies and Marxism through the ideas of key theorists like Baudrillard, Barthes, Habermas, Jameson, Bourdieu and Derrida. He relates these to the problematic of the postmodern self as exposed in cinema centering on the decisive performance of race, gender and class.

目次

PART ONE: THE POSTMODERN Defining the Postmodern Terrain Postmodern Social Theory Takes on the Postmodern Baudrillard, Lyotard, and Jameson Learning from Mills PART TWO: LEARNING FROM CINEMA Wild About Lynch Blue Velvet Nouveau Capitalists on Wall Street Crimes and Misdemeanors in Manhattan The Postmodern Sexual Order Sex, Lies, and Yuppie Love Do the Right Thing Race in the USA Paris, Texas Mills and Baudrillard in America In Conclusion The Eye of the Postmodern

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詳細情報

  • NII書誌ID(NCID)
    BA13171236
  • ISBN
    • 0803985150
    • 0803985169
  • LCCN
    91053213
  • 出版国コード
    uk
  • タイトル言語コード
    eng
  • 本文言語コード
    eng
  • 出版地
    London
  • ページ数/冊数
    xii, 179 p.
  • 大きさ
    24 cm
  • 分類
  • 親書誌ID
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