Images of postmodern society : social theory and contemporary cinema
著者
書誌事項
Images of postmodern society : social theory and contemporary cinema
(Theory, culture and society)
Sage, 1991
- : hbk
- : pbk
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注記
Bibliography: p. [158]-174
Includes index
内容説明・目次
内容説明
By using a series of studies of contemporary mainstream Hollywood movies - Blue Velvet, Wall Street, Crimes and Misdemeanors, When Harry Met Sally, Sex Lies and Videotape, Do the Right Thing - Norman Denzin explores the tension between ideas of the postmodern, and traditional ways of analyzing society. The discussion moves between two forms of text: social theory and cinematic representations of contemporary life.
Denzin analyzes the ideas of society embedded in poststructuralism, postmodernism, feminism, cultural studies and Marxism through the ideas of key theorists like Baudrillard, Barthes, Habermas, Jameson, Bourdieu and Derrida. He relates these to the problematic of the postmodern self as exposed in cinema centering on the decisive performance of race, gender and class.
目次
PART ONE: THE POSTMODERN
Defining the Postmodern Terrain
Postmodern Social Theory Takes on the Postmodern
Baudrillard, Lyotard, and Jameson
Learning from Mills
PART TWO: LEARNING FROM CINEMA
Wild About Lynch
Blue Velvet
Nouveau Capitalists on Wall Street
Crimes and Misdemeanors in Manhattan
The Postmodern Sexual Order
Sex, Lies, and Yuppie Love
Do the Right Thing
Race in the USA
Paris, Texas
Mills and Baudrillard in America
In Conclusion
The Eye of the Postmodern
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