Third World film making and the West
Author(s)
Bibliographic Information
Third World film making and the West
University of California Press, c1987
- : pbk. : alk. paper
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Note
Bibliography: p. 327-361
Includes index
Description and Table of Contents
Description
This volume is the first fully comprehensive account of film production in the Third World. Although they are usually ignored or marginalized in histories of world cinema, Third World countries now produce well over half of the world's films. Roy Armes sets out initially to place this huge output in a wider context, examining the forces of tradition and colonialism that have shaped the Third World - defined as those countries that have emerged from Western control but have not fully developed their economic potential or rejected the capitalist system in favor of some socialist alternative. He then considers the paradoxes of social structure and cultural life in the post-independence world, where even such basic concepts as 'nation', 'national culture', and 'language' are problematic. The first experience of cinema for such countries has invariably been that of imported Western films, which created the audience and, in most cases, still dominate the market today. Thus, Third World film makers have had to assert their identity against formidable outside pressures.
The later sections of the book look at their output from a number of angles: in terms of the stages of overall growth and corresponding stages of cinematic development; from the point of view of regional evolution in Asia, Africa, and Latin America; and, through a detailed examination of the work of some of the Third World's most striking film innovators. In addition to charting the broad outlines of filmic developments too little known in Europe and the United States, the book calls into question many of the assumptions that shape conventional film history. It stresses the role of distribution in defining and limiting production, queries simplistic notions of independent 'national cinemas', and points to the need to take social and economic factors into account when considering authorship in cinema. Above all, the book celebrates the achievements of a mass of largely unknown film makers who, in difficult circumstances, have distinctively expanded our definitions of the art of cinema. Roy Armes, who lives in London, has written nine books on film, his most recent being French Cinema. He spent more than three years researching this volume.
Table of Contents
Acknowledgments
Note on Titles
Introduction
Part One The Social, Cultural, and Economic Context
1. Third World Societies
2. Culture and National Identity
3. Cinema and Capitalism
Part Two Theory and Practice of Third World Film
Making
4. The Beginnings of Non-Western Film Production
5. Individual Authorship
6. "Third Cinema"
Part Three National Film Industries
7. The Indian Subcontinent
8. East and Southeast Asia
9. Latin America
10. The Middle East and Africa
Part Four Cinema Astride Two Cultures
11. Satyajit Ray
12. Youssef Chahine
13. Glauber Rocha
14. Y1lmaz GOney
15. Ousmane Sembene
16. Jorge Sanjines
Conclusion
Notes
Bibliography
Sources for Photographs
Index
by "Nielsen BookData"
