Contemporary American theatre
著者
書誌事項
Contemporary American theatre
Macmillan, 1991
- : hard
大学図書館所蔵 件 / 全15件
-
該当する所蔵館はありません
- すべての絞り込み条件を解除する
注記
Includes bibliographies and index
内容説明・目次
内容説明
This book offers a surprisingly different vision of the serious American drama during the late seventies and eighties with emphasis shared between textual and non-textual drama, between the Mainstream and the Avant-Garde, between drama and theatre, between individuals, groups and movements. Attention is given to performance art, dance theatre, feminist theatre, post-literary dramaturgies and post-modernism. David Hwang, August Wilson, David Mamet, Emily Mann, Richard Nelson, John Guare, Christopher Durang, David Rabe, Beth Henley, Tina Howe, Marsha Norman, Wendy Wasserstein, The Wooster Street Group, The Mabou Mines, Peter Sellars, Martha Clarke and Laurie Anderson are some of the dramatists, performing artists, directors and groups discussed.
目次
- Introduction, Bruce King
- textual drama - women playwrights on Broadway - Beth Henley, Tina Howe, Marsha Norman and Wendy Wasserstein - Barbara Kachur
- not-quite mainstream male writers - John Guare, Christopher Durang and David Rabe - Dennis Carroll
- the new realism - articulating the double agent, David Mamet, Emily Mann, Richard Nelson - David Savran
- black theatre into the mainstream and August Wilson - Holly Hill
- David Hwang - the sound of a voice - Gerald Rabkin
- theatre collectives in the 1980s - Elizabeth LeCompte and the Wooster Group - Alexis Greene
- Lee Breuer and the Mabou mines - S.E.Gontarski
- other forms of theatre - beyond the broadway musical - crossovers, confusions and crisis - Glenn Loney
- once upon a time in performance art - Lenora Champagne
- Laurie Anderson - performance artist/art performer - Mel Gordon
- contemporary American dance theatre - Martha Clarke, Joe Goode, and Sara Shelton Mann - Ted Shank
- from C-R to P.R. - feminist theatre in America - Alisa Solomon
- further new directions - poets of Bohemia and Suburbia - the postliterary dramaturgies of Laura Farabough, Laura Harrington, and Adele Shank - Jim Carmody
- not/either/or but and - fragmentation and consolidation in postmodern theatre, or Peter Sellars and "Picking up the Pieces" - Don Shewey.
「Nielsen BookData」 より