Seven types of adventure tale : an etiology of a major genre
Author(s)
Bibliographic Information
Seven types of adventure tale : an etiology of a major genre
Pennsylvania State University Press, c1991
Available at 13 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p. [219]-222) and index
Description and Table of Contents
Description
From Alexandre Dumas to Raymond Chandler, Martin Green examines adventure stories and their role in spreading the ideology of the modern nation-state.
Seven Types of Adventure Tale studies widely read and influential adventure tales of the eighteenth through the twentieth centuries in the respectable literary forms. Some of the authors considered are Dumas, Scott, Defoe, Cooper, Verne, Buchan, Kipling, Twain, and Chandler. These stories, though adapted and copied innumerable times and read in their native languages and in translation throughout the Western world, have been largely neglected by literary theorists. Green offers a way to take the adventure tale seriously by positioning these stories within a new theoretical framework.
Green places the tales in seven categories organized according to the type of central character in each story. The first category is the Robinson Crusoe story, which portrays the myth of entrepreneurial capitalism and "modern" or postfeudal politics. This story has appeared in one hundred well-known versions, including The Swiss Family Robinson and Lord of the Flies, since Defoe published his version.
The second category is the Three Musketeers story, mythifying the birth of the French state and, by extension, the birth of other nation-states. The third is the Frontiersman story, originally about American history but a powerful myth far beyond U.S. borders. The fourth, the Avenger story, is tied to the myth of an avenging return by Napoleon to France, but more generally to a threat to the bourgeois ruling classes of the nineteenth-century Europe. The fifth is the Wanderer story, which relates to escaping from social discipline but also to spying and disguises and crossing frontiers of all kinds. The sixth, the Saga story, is a revision of the Icelandic and Teutonic sagas and reflects the myth of resurgent Germany after its unification in 1870. And the seventh category, more specific to the twentieth century, is the Hunted Man story, in which an individual hero is pitted against social juggernaut, such as the state, the Mafia, or a giant corporation.
Seven Types of Adventure Tale is the second volume of a three-volume study of adventure by Green that began with The Robinson Crusoe Story.
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