Psychiatrie im grundriss
著者
書誌事項
Psychiatrie im grundriss
Springer-Verlag, 1979
4., neubearb. u. erw. Aufl. / völlig neubearbeitet u. erweitert von J. Glatzel ; unter Mitarbeit von Hubert Rieger und Dieter Wyss
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内容説明・目次
内容説明
This introductory text deals with the physical systems and biological processes that intervene in what we broadly call "music. " We shall analyze what obj- tive, physical properties of sound patterns are associated with what subjective, psychological sensations of music. We shall describe how these sound patterns are actually produced in musical instruments, how they propagate through the environment, and how they are detected by the ear and interpreted in the brain. We shall do all this by using the physicist's language and his method of thought and analysis-without, however, using complicated mathematics. Although no previous knowledge of physics, physiology, and neurobiology is required, it is assumedthatthereaderpossesseshigh-schooleducationandisfamiliarwithbasic aspects of music, in particular with musical notation, scales and intervals, musical instruments and typical musical "sensations. " Books are readily available on the fundamentals of physics of music (e. g. , Benade, 1990; Pierce, 1983; Fletcher and Rossing, 1998; Johnston, 2003) and psychoacoustics, music psychology and perception (e. g. , Plomp, 1976; Deutsch, 1982a; Zatorre and Peretz, 2001; Hartmann, 2005).
An excellent text on musical acoustics is that of Sundberg (1991), still most useful 17 years later; comp- hensive discussions of recent researches on pitch perception and related au- tory mechanisms can be found in Plack et al. (2005). The purpose of the present volume is not to duplicate but to synthesize and complement existing literature.
目次
Preface.- The Science of Music and the Music of Science: A Multidisciplinary Overview.- Sound Vibrations, Pure Tones, and the Perception of Pitch.- Sound Waves , Acoustic Energy, and the Perception of Loudness.- Generation of Musical Sounds, Complex Tones, and the Perception of Timbre.- Superposition and Succession of Complex Tones, and the Integral Perception of Music.- Appendix 1: Some Quantitative Aspects of the Bowing Mechanism.- Appendix II: Some Quantitative Aspects of Central Pitch Processor Models.- Appendix III: Some Renarks on Teaching of Physics and Psychophysics of Music.- References.- Index
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