The Song of Roland : an analytical edition
Author(s)
Bibliographic Information
The Song of Roland : an analytical edition
Pennsylvania State University Press, 1978
- v. 1
- v. 2
- Uniform Title
-
Chanson de Roland
Available at 20 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
-
Kobe University General Library / Library for Intercultural Studies
v. 1951-01-B//1061000065911,
v. 2951-01-B//2061000065912
Note
v. 1. Introduction and commentary -- v. 2. Oxford text and English translation
Bibliography: v. 1, p. 479-510
Includes index
Description and Table of Contents
Description
Published to observe the twelfth centenary of the Battle of Roncevaux, the event that inspired the Chanson de Roland, this edition provides the first systematic analysis of the entire poem. Professor Brault's edition also incorporates the considerable scholarly work done in the half century since the Bedier and Jenkins editions appeared.
The underlying theme of this new edition is that the poem is a Christian hero. As imagined by the poet Turoldus-writing about 1100, at the time of the First Crusade-Roland, the nephew of Charlemagne, had no faults and accomplished mighty deeds in warring against the Saracens. The introduction compares the known historical facts about the Battle of Roncevaux with the Roland legend, with various versions of the poem, and with the Oxford text. Christian thought and sensibility are shown to permeate the Chanson de Roland, in its character portrayal and narrative development, as well as in its tone and diction-and to provide its thematic unity and metaphorical consistency. Influences of the oral tradition of the chansons de geste are demonstrated, as are evidences of the accompanying gestures used by the jongleurs in interpreting these works.
The Commentary organizes discussion of the 4002 verses into 49 units. The method of analysis is eclectic, combining thematic criticism with philology, exegetical interpretation with iconography. The 66 illustrations, primarily from Romanesque works of art, clarify key passages
Table of Contents
v. 1. Introduction and commentary.--v. 2. Oxford text and English translation.
by "Nielsen BookData"