White fire : the influence of Emerson on Melville
Author(s)
Bibliographic Information
White fire : the influence of Emerson on Melville
California State University, Long Beach , Distributed by arrangement with University Publishing Associates, c1991
Available at 10 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references and index
Description and Table of Contents
Description
White Fire challenges the critical tradition that for nearly half a century has celebrated the power of blackness in American literature. This tradition presents Herman Melville as investigating, then rejecting the optimistic vision of Ralph Waldo Emerson because he lacked a viable sense of evil. Williams digs beneath the obvious contrasts between these two great contemporaries, asking three questions about their relationship: What was Emerson actually saying at the time Melville was serving his literary apprenticeship? How much did Melville know of Emerson's provocative thought? What use did Melville make of ideas and images that Emerson, more than any other contemporary, espoused? In his findings, Williams views Melville as far less the independent critic of Emerson that modern critics have described and far more the responsive artist and opportunist, absorbing images and ideas from the most readily available sources and transforming them into art.
by "Nielsen BookData"