Spanish paintings of the fifteenth through nineteenth centuries
Author(s)
Bibliographic Information
Spanish paintings of the fifteenth through nineteenth centuries
(Collections of the National Gallery of Art)
National Gallery of Art , Cambridge University Press, c1990
- cloth
- pbk.
Available at 7 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references and indexes
Description and Table of Contents
Description
This catalogue of Spanish painting in the National Gallery of Art in Washington DC is the second volume in the Collections of the National Gallery of Art Systematic Catalogue. This collection is one of the finest in the western hemisphere and includes important groups of work by El Greco, Goya, Valaquez, Murillo, Valdes Leal and Juan van der Hamen y Leon. The catalogue contains the most comprehensive entries on all works in the National Gallery of Art; with a biographical outline of the artists; a description of, and often fresh observations on the physical condition of each painting; critical discussions of such matters as attribution, chronology, identification of subject matter or sitter, and a summary of previous scholarship. Other material that makes this catalogue the most comprehensive study of these works is the important discovery by Dr David A. Brown, a curator at the Gallery, who identified a painting from the Italian period of Fernando Yanez da la Almedina. This discovery revises the understanding of this Spanish follower of Leonardo da Vinci and his relationship with his collaborator, Gernado Llanos. Also the painting Bullfight often attributed to Goya is here assigned to Eugenio Lucas Vilzamil (1858-1918).
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