George Eliot (Marian Evans) : a literary life
著者
書誌事項
George Eliot (Marian Evans) : a literary life
(Macmillan literary lives)
Macmillan Academic and Professional, 1991
- : pbk
大学図書館所蔵 全27件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
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注記
Bibliography: p. 149-153
Includes index
内容説明・目次
内容説明
In this literary life, the fiction of Marian Evans (George Eliot) is placed in a biographical and literary-historical context. Since the life experiences that most influenced her novels were those of her formative years, biographical information becomes less important after the publication of her first novel in 1859, when she was in her 40th year. The author gives emphasis to his subject's intellectual development and ideas on the one hand, and to considerations of gender and sex on the other. His principal concern, however, is with Marian Evans as a writer of prose fiction. He details her views on other novels and novelists and examines her aesthetic thinking as it developed from the faithful representing of commonplace things towards more complex considerations. Attention is called to the fundamental choices and presentational calculations made for each novel. But at the same time, the author points out the distinctive sensibility that informs the novels - the particular quality stemming from the person of the artist, that according to Flaubert every work of art contains within itself, and that affects the reader apart from the work's execution.
目次
- Warwickshire 1819-1849
- London 1850-1857
- critical writings - "Scenes of Clerical Life" (1858)
- "Adam Bede" (1859) and "Silas Marner" (1861)
- the woman question - "The Mill on the Floss" (1860)
- the 1860s - "Romola" (1863) and "The Spanish Gypsy" (1868)
- "Felix Holt" (1866) and "Middlemarch" (1872)
- the 1870s - "Daniel Deronda" (1876).
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